Tag Archives: Vishnu

Wellknown… Unknowns..! ~ AruNAchala Tales #0

25 Jun

Wellknown… Unknowns..!

AruNAchala Tales #0

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ThiruvaNNAmalai aka AruNAchala needs no introduction. Known as the “நினைத்தாலே முக்தி தரும்” sthalam (holy place that offers mukti to the one who simply thinks about it), it’s an ancient place of pilgrimage whose antiquity dates back to the age before that of Gods (33 million of ’em, no less) and demons (aka asurAs), which remains well known through history due to the innumerable saints, yogis & siddhars who lived and attained mukti there and the eponymous Girivalam (circumambulation of the holy hill, barefooted, covering approximately 14 kms, in one go) that brings lakhs of devotees from all over to this quaint little town, every PourNami (full moon).

.

Ask anyone who had either been to AruNAchala or knows someone who had, about AruNAchala, and they will unfailingly tell you an enchanting tale or two about the Adiyogi & Adi Guru Lord ShivA himself who is worshipped there as AruNAchalEswarar, BhagavAn RamaNa Maharishi (the great Realised Master of the GnAna yoga path needs no introduction either), Saint-Poet ArunagirinAdhar (the famed Saint-Poet who is associated with the illustrious warrior son of Lord ShivA, who is celebrated in this part of the world as தமிழ்க் கடவுள், i.e. the God of Tamil people), siddhars like IdaikkAdar and SEshAdri Swamigal, devotees like AmmaNi AmmAL, Realised Beings & Masters like Yogi Ramsurathkumar aka விசிறி சாமியார் (the saint with the handheld fan), about the holy hill itself and seemingly miraculous experiences that keep happening to those who undertake the Girivalam (circumambulation of the holy hill), diligently with piety. But there are amazing facts about this ancient holy space that even a dyed-in-the-wool Shiva bakthA may not know. So, here goes the “AruNAchala Tales”…
~~~~~~~~~~

ArunAchala Tales #0

Every enchanting tale has a beginning. In the age before Gods & demons, possibly during the early stages of creation itself, VishNu and BrahmA wondered who is the greater among them, since they seem to be the only two beings around in the vast emptiness. While they were debating to establish their superiority, a blindingly brilliant column (pillar / tower) of fiery light appeared, whose beginning or end couldn’t be seen. Dumbfounded by the magnificence of that light, the debating duo set out to know more about it. While BrahmA took the form of a swan and flew upwards towards the top of the column of fiery light, VishNu took the form of a wild boar and started digging into the earth towards the bottom of the same.

.

They went on seemingly forever and simply couldn’t get to either the top or bottom. While VishNu gave up his quest and humbly bowed before the light, BrahmA conjured up a yarn of how he had actually seen the top, while all he did was to see a flower falling from the top somewhere along and persuaded (coerced!) it to vouch for the completion of his quest.

.

There was a mighty roar and the SarvEswara revealed himself to be the column of endless fiery light. He praised VishNu for his honesty and humility, reminded him about his purpose, i.e. to nurture + preserve all creation and offered him the right to worship that’s almost like his own. This is why wherever there’s a Shiva temple, a VishNu temple could also be found somewhere nearby, even in nondescript villages and tiny towns. Lord MahAVishNu not only remains a popular God through the yugAs, but eventually also became related to the MahAdEva (God of Gods) by offering his sister Devi Shakthi in marriage to Lord ShivA.
.
Then the mighty RudrA turned his fiery gaze towards the shivering BrahmA and simply plucked away one of his five heads and thrown it away, which was like a rap in the knuckles for his blatant lie. He also cursed BrahmA that he won’t be worshipped by humans henceforth. This is why there’s hardly any temple for BrahmA, the God of creation.

.

Despite being very knowledgeable, BrahmA obviously wasn’t very smart to learn from this event, which cost him a head and the right to worship, no less. At a later point in time, he got another rap in the knuckles from the illustrious Son of ShivA, aka KArthikEya alias ShANmukhA, the greatest warrior in the history of Godkind who was anointed the commander-in-chief of the Deva armed forces, who incarcerated BrahmA and stripped him of his power of creation, for not knowing the meaning of AUM, the praNava mantrA, which is the primordial sound of creation itself. Lord Subrahmanya, incidentally, is the manifest form of PraNavA itself. But that’s another enchanting tale for a different time.

.

Finally, the TriambakA turned to the pitiful flower that was forced to vouch for BrahmA’s lie and banished it from his worship. This is why, thAzhampoo (தாழம்பூ / ketaki flower) isn’t used for ShivA worship, till date.

.

Moral of the story…

  • Be humble and truthful, in order to be receptive to Grace
  • Lying is easy but the consequences will be unimaginably hard
  • Intellectual (acquired / accumulated) knowledge is grossly overrated. Acceptance of “I don’t know” is the beginning of really knowing the Truth
  • And last but certainly not the least ~ don’t even think about messing with the all-knowing, omnipresent and omnipotent almighty ShivA, ever!
.

The symbolic representation of this ancient event can be found in pretty much all ShivA temples, right behind the garbhagrihA, in the form of LingOdhbhavar (லிங்கோத்பவர்). In a few temples – including AruNAchala – a form of Lord VishNu (VenugOpAla Swamy in ThiruvaNNAmalai) can be found facing LingOdhbhavar.

.

Now to the AruNAchala connect of this ancient tale…
  • The place where the Lord appeared as the seemingly endless column of fiery light is none other than AruNAchala, aka the holy hill at ThiruvaNNAmalai, making it possibly one of, if not the earliest known geographical location of Lord ShivA’s physical presence, on this tiny planet.
  • The popular KArthigai Deepam festival, when a huge light is lit atop the holy hill, is symbolic of this ancient tale, though the festival itself is associated with Lord KArthikEya, the Son of ShivA, who is considered to be an aspect (அம்சம்) of ShivA himself.
  • As a proof of the fiery nature of the magnificent light form of the Lord, intense heat emanates from the GarbhaGrihA (sanctum sanctorum) of the temple, where the மூலவர் (primary deity) of Lord ANNAmalayAr aka AruNAchalEswarar is worshipped, even today. One can experience this directly, while worshipping the Lord in close quarters (guided by a GurukkaL certainly helps and many are willing to offer this service, informally, for an fee, of course). The heat is always on and anyone in the fiery presence of the Lord will start to profusely sweat, instantaneously. Is it any wonder that among the Pancha BhUtha kshEtras of Lord ShivA, dedicated to the five primary elements of creation, AruNAchala is the kshEtra for Agni / Fire (பஞ்சபூத ஸ்தலங்களில் அருணாசலா எனு‌ம் திருவண்ணாமலை அக்னி ஸ்தலமாகும்)
  • Since the Dancing Lord appeared as the tower of light sans beginning or end (அடி முடி காணா ஜோதி ஸ்வரூபம்) on the hill of AruNAchala, the hill itself is worshipped as ShivA here. That’s why the pradakshiNam (பிரதக்ஷிணம் / circumambulation) is done around the hill itself, in the form of Girivalam (கிரிவலம்). .
.
With the Lord’s boundless Grace, AruNAchala Tales will continue…

.

~Swamy | @PrakashSwamy

Wellknown… Unknowns..! ~ AruNAchala Tales #0

25 Jun

Wellknown… Unknowns..!

AruNAchala Tales #0

.

ThiruvaNNAmalai aka AruNAchala needs no introduction. Known as the “நினைத்தாலே முக்தி தரும்” sthalam (holy place that offers mukti to the one who simply thinks about it), it’s an ancient place of pilgrimage whose antiquity dates back to the age before that of Gods (33 million of ’em, no less) and demons (aka asurAs), which remains well known through history due to the innumerable saints, yogis & siddhars who lived and attained mukti there and the eponymous Girivalam (circumambulation of the holy hill, barefooted, covering approximately 14 kms, in one go) that brings lakhs of devotees from all over to this quaint little town, every PourNami (full moon).

.

Ask anyone who had either been to AruNAchala or knows someone who had, about AruNAchala, and they will unfailingly tell you an enchanting tale or two about the Adiyogi & Adi Guru Lord ShivA himself who is worshipped there as AruNAchalEswarar, BhagavAn RamaNa Maharishi (the great Realised Master of the GnAna yoga path needs no introduction either), Saint-Poet ArunagirinAdhar (the famed Saint-Poet who is associated with the illustrious warrior son of Lord ShivA, who is celebrated in this part of the world as தமிழ்க் கடவுள், i.e. the God of Tamil people), siddhars like IdaikkAdar and SEshAdri Swamigal, devotees like AmmaNi AmmAL, Realised Beings & Masters like Yogi Ramsurathkumar aka விசிறி சாமியார் (the saint with the handheld fan), about the holy hill itself and seemingly miraculous experiences that keep happening to those who undertake the Girivalam (circumambulation of the holy hill), diligently with piety. But there are amazing facts about this ancient holy space that even a dyed-in-the-wool Shiva bakthA may not know. So, here goes the “AruNAchala Tales”…
~~~~~~~~~~

ArunAchala Tales #0

Every enchanting tale has a beginning. In the age before Gods & demons, possibly during the early stages of creation itself, VishNu and BrahmA wondered who is the greater among them, since they seem to be the only two beings around in the vast emptiness. While they were debating to establish their superiority, a blindingly brilliant column (pillar / tower) of fiery light appeared, whose beginning or end couldn’t be seen. Dumbfounded by the magnificence of that light, the debating duo set out to know more about it. While BrahmA took the form of a swan and flew upwards towards the top of the column of fiery light, VishNu took the form of a wild boar and started digging into the earth towards the bottom of the same.

.

They went on seemingly forever and simply couldn’t get to either the top or bottom. While VishNu gave up his quest and humbly bowed before the light, BrahmA conjured up a yarn of how he had actually seen the top, while all he did was to see a flower falling from the top somewhere along and persuaded (coerced!) it to vouch for the completion of his quest.

.

There was a mighty roar and the SarvEswara revealed himself to be the column of endless fiery light. He praised VishNu for his honesty and humility, reminded him about his purpose, i.e. to nurture + preserve all creation and offered him the right to worship that’s almost like his own. This is why wherever there’s a Shiva temple, a VishNu temple could also be found somewhere nearby, even in nondescript villages and tiny towns. Lord MahAVishNu not only remains a popular God through the yugAs, but eventually also became related to the MahAdEva (God of Gods) by offering his sister Devi Shakthi in marriage to Lord ShivA.
.
Then the mighty RudrA turned his fiery gaze towards the shivering BrahmA and simply plucked away one of his five heads and thrown it away, which was like a rap in the knuckles for his blatant lie. He also cursed BrahmA that he won’t be worshipped by humans henceforth. This is why there’s hardly any temple for BrahmA, the God of creation.

.

Despite being very knowledgeable, BrahmA obviously wasn’t very smart to learn from this event, which cost him a head and the right to worship, no less. At a later point in time, he got another rap in the knuckles from the illustrious Son of ShivA, aka KArthikEya alias ShANmukhA, the greatest warrior in the history of Godkind who was anointed the commander-in-chief of the Deva armed forces, who incarcerated BrahmA and stripped him of his power of creation, for not knowing the meaning of AUM, the praNava mantrA, which is the primordial sound of creation itself. Lord Subrahmanya, incidentally, is the manifest form of PraNavA itself. But that’s another enchanting tale for a different time.

.

Finally, the TriambakA turned to the pitiful flower that was forced to vouch for BrahmA’s lie and banished it from his worship. This is why, thAzhampoo (தாழம்பூ / ketaki flower) isn’t used for ShivA worship, till date.

.

Moral of the story…

  • Be humble and truthful, in order to be receptive to Grace
  • Lying is easy but the consequences will be unimaginably hard
  • Intellectual (acquired / accumulated) knowledge is grossly overrated. Acceptance of “I don’t know” is the beginning of really knowing the Truth
  • And last but certainly not the least ~ don’t even think about messing with the all-knowing, omnipresent and omnipotent almighty ShivA, ever!
.

The symbolic representation of this ancient event can be found in pretty much all ShivA temples, right behind the garbhagrihA, in the form of LingOdhbhavar (லிங்கோத்பவர்). In a few temples – including AruNAchala – a form of Lord VishNu (VenugOpAla Swamy in ThiruvaNNAmalai) can be found facing LingOdhbhavar.

.

Now to the AruNAchala connect of this ancient tale…
  • The place where the Lord appeared as the seemingly endless column of fiery light is none other than AruNAchala, aka the holy hill at ThiruvaNNAmalai, making it possibly one of, if not the earliest known geographical location of Lord ShivA’s physical presence, on this tiny planet.
  • The popular KArthigai Deepam festival, when a huge light is lit atop the holy hill, is symbolic of this ancient tale, though the festival itself is associated with Lord KArthikEya, the Son of ShivA, who is considered to be an aspect (அம்சம்) of ShivA himself.
  • As a proof of the fiery nature of the magnificent light form of the Lord, intense heat emanates from the GarbhaGrihA (sanctum sanctorum) of the temple, where the மூலவர் (primary deity) of Lord ANNAmalayAr aka AruNAchalEswarar is worshipped, even today. One can experience this directly, while worshipping the Lord in close quarters (guided by a GurukkaL certainly helps and many are willing to offer this service, informally, for an fee, of course). The heat is always on and anyone in the fiery presence of the Lord will start to profusely sweat, instantaneously. Is it any wonder that among the Pancha BhUtha kshEtras of Lord ShivA, dedicated to the five primary elements of creation, AruNAchala is the kshEtra for Agni / Fire (பஞ்சபூத ஸ்தலங்களில் அருணாசலா எனு‌ம் திருவண்ணாமலை அக்னி ஸ்தலமாகும்)
  • Since the Dancing Lord appeared as the tower of light sans beginning or end (அடி முடி காணா ஜோதி ஸ்வரூபம்) on the hill of AruNAchala, the hill itself is worshipped as ShivA here. That’s why the pradakshiNam (பிரதக்ஷிணம் / circumambulation) is done around the hill itself, in the form of Girivalam (கிரிவலம்). .
.
With the Lord’s boundless Grace, AruNAchala Tales will continue…

.

~Swamy | @PrakashSwamy

What’s In A 1000 Names ~ musings on Sahasranamam!

2 Mar
What’s In A 1000 Names!

~ musings on Sahasranamam (LalithA & VishNu)

A recent share by a family member on conducting ‘VishNu SahasranhAmam PArAyaNam‘ session at their home triggered an interesting discussion thread. Sharing it here, which hopefully offers some enchanting insights into two of the most popular Sahasranhamam sthothrams, i.e. LalithA SahasranhAmam (1000 sacred names of DEvi LalithA ParamEswari) and VishNu SahasrahAmam (1000 sacred names of Lord MahAVishNu).
‘Vishnu SahasranhAmam’ (விஷ்ணு சஹஸ்ரநாமம் ~ 1000 sacred names of Lord MahAVishNu) chanting for Swamy was initiated by his Upa Guru Sohamanandaji, during the ChAr DhAm yAtrA (YamunOtri-GangOtri-KEdArnAth-BadhrinAth). 👣

A daily practice at many Vaishnavite households (along with the ubiquitous SuprabhAtham), Vishnnu SahasranhAmam chanting continues to happen at SwamyHome, which, per religious / social norms (and spiritual practices, needless to say) is a Shaivite household (with the help of ‘பெரிய எழுத்து’ ~ bold letters edition by Giri Trading Agency, of course) every Saturday, after the daily chanting for Lord SkandhaGurunhAthan (Swamy’s Kuladheivam [குலதெய்வம்] ~ worshipped in the form of VEl [வேல்]). 😌 On Fridays, it’s the turn of Sri LalithA Sahasranhamam (ஸ்ரீ லலிதா சஹஸ்ரநாமம்), needless to say 🔥🙏

Incidentally, ‘ஸ்ரீ லலிதா சஹஸ்ரநாமம்’ (Sri LalithA SahasranhAmam) is said to have been chanted by Lord Hayagreevar (ஹயக்ரீவர் ~ Horse-faced Lord), who is an amsam or manifestation of Lord VishNu (not an avatAr, like Sri RAmA or Sri KrishNA). So it’s essentially a sthOthram by the elder brother praising younger sister (who was given away in marriage to Adiyogi ShivA)🙌, which is practically unheard of, but truly awesome. For those on the path of ShAktham (சாக்தம் [அ] சக்தி வழிபாடு [அ] தேவி உபாசனை ~ worship of the supreme reality as Shakthi, i.e. Mother or DEvi), it’s the child praising its mother, as all three primary Gods (and their consorts as well) are said to be created by the Divine Mother, for the sake of creation, with specific responsibilities, viz. Creation (Lord BrahmA), Sustenance (Lord MahAVishNu) and Transformation / Salvation (Lord ShivA).

The place where Lord Hayagreevar is believed to have chanted LalithA Sahasranhamam is enroute to Mount KailAsh, along the trekking path from the base camp. 👣

Swamy’s Upa Guru Sohamanandaji is a DEvi upAsakar (the form worshipped by him is DEvi ChinnaMasthA ~ தேவி சின்னமஸ்தா), so he has naturally started chanting LalithA Sahasranhamam during the trek to KailAsh (he was part of the same Isha SacredWalks group as Swamy, but hasn’t yet become Swamy’s Upa Guru, then), while crossing a particular spot. A Buddhist Monk who was going the other way stopped for a moment and told him “Horse face God chanted it here,” and pointed to some form of identification at that spot. 🙌 ShambhO 🙏

However, the origin of LalithA Sahasranhamam is said to be DEvi herself 🔥, since it’s practically impossible for any other being in creation to express Adi ParAshakthi’s (ஆதி பராசக்தி) magnificence in full🙏. With the possible exception of her other half, of course! 😂

Naturally, there’s an enchanting sthOthram on DEvi by none other than Lord ShivA himself, which is known as ‘Soundharyalahari’ (சௌந்தர்யலஹரி), which is essentially a husband’s praise of the enchanting beauty and virtues of his wife, with intimate details about her physique, mind, nature, etc.

The version of Soundharyalahari sthOthram that we’ve now is said to be an abridged edition, offered to us by Jagadguru Adi ShankarAchArya ✍

According to mythical lore, when the Jagadguru had the privilege of listening to the entire hymn (while having the darshan of அம்மையப்பன், obviously), he wanted to naturally share it with humanity. But when he was leaving KailAsh with the entire hymn (in which form is unknown, but that’s just a trivial detail), NandhikEswara (நந்திகேஸ்வரர்) apparently intercepted him and removed a whole bunch of verses that are considered too privy to be shared with anyone else. That makes Lord Nandhi the first censor board official! 😂🙏🙌
Here’s an(other) enchanting tale about VishNu Sahasranamam…

A lot of devotees know that VishNu Sahasranamam was chanted by Bheeshma PithAmah (பீஷ்ம பிதாமஹர்) while waiting to leave his body at an auspicious time (there’s a tale related to the actual event – of his inability to leave, despite his boon – which is covered well in the insightful Ratha Sapthami video by ஆலயம் செல்வீர் ~ Aalayam Selveer YouTube channel).
But only after the chanting was completed by Bheeshmar, everyone present there realised the significance of the hymn and regretted that no one recorded it for posterity. So, Lord KrishNa himself offered them the solution.
The Lord, the eighth avatAr (incarnation) of MahAVishNu, pointed out that since SahAdEvA (or NakulA, not sure which one, but most likely the former, who is an expert in many ShAstrAs, including Astrology, which alludes to him being the chosen one) is the one wearing a Spatikha mAla (ஸ்படிக மணிமாலை), he should be able to recall the hymn, in its entirety.

Spatikha apparently has memory that enables it to absorb nhAdha (sound / vibrations), which is the insight one can gain from this. 😇 Our limited knowledge is only about the cooling property of the gem. That’s how we ended up getting the enchanting VishNu Sahasranamam sthOthram. 🙏
So, is it any surprise that most (all!) those who do Vedic chanting and chanting of hymns regularly wear Spatikha mAla, in addition to RudrAksha mAla (whose purpose is vastly different)! 🤔🤘

Disclaimer: Swamy is just a seeker on the spiritual path, blessed to be guided by the Grace of a Guru (Realised Master) and experiential wisdom of a Upa Guru, and never claimed to be an expert on SanAthana Dharma. So, if you know more about these Sahasranamam chants, kindly share as comment and Swamy would be glad to learn.

~Swamy | @PrakashSwamy

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