Tag Archives: shivashiva

Dhinam Oru Padhigam – The Big Ws!

18 Mar

Dhinam Oru Padhigam ~ the Big Ws!

Both for regular readers and occasionally curious (+ new) browsers, Dhinam Oru Padhigam (தினம் ஒரு பதிகம்) hymns remain an enchanting enigma. That includes the SwamyPals (there’s a WhatsApp group for this tribe who have either studied, worked, volunteered or interacted with Swamy at some point in this lifetime and got acquainted to this intriguing being and for whatever baffling reason want to remain connected with him – the group is administered by Swamy himself and new members are included from time to time) & relatives who have known Swamy long enough to know his dabbling with poetry (one of his many varied pursuits, none of which are pursued for economical purpose) in both Thamizh (தமிழ்) & English.

First of all, Swamy doesn’t sit down in a particular place, at a particular time of the day, to write any of these hymns. ✍️ He isn’t a professional Writer (or published Author, for that matter, at least not yet, except for twice, in the ’90s), though he has been writing – poetry, stories, blogs, quotes, reviews, et al – for a long time (from the ’80s).

The Dhinam Oru Padhigam hymns always simply flow. Anytime of the day (he has woken up from sleep 😴 late at night to write down a hymn). Anywhere (temples, ashram, his den / cave, train…). So, all Swamy does is to write them down, as and when they flow. He’s merely an instrument that’s useful for some definitive purpose.

At times, the flow is such a torrent that he had to recall parts of the hymn (or the whole hymn, in case more than one flow at the same time – which happened a few days ago at Thiru UttharakOsamangai திருஉத்தரகோசமங்கை, while having the darshan of AbhishEkam for the Dancing Lord) later.

Oh btw, they’re actually hymns with a tune (most are) and Swamy actually sings them while writing them down (he can instantly recall the tune as well), though Swamy has absolutely no knowledge of the nuances of music, in terms of RAgA or ThALA!

In a way, these enchanting hymns in classical Thamizh are written by an illiterate (who isn’t a qualified Poet) and sung by a musically challenged person (who isn’t a trained Musician). Howzatt for the boundless Grace of the most benevolent creator!😂

So, it’s natural for everyone – Seeker or not – to have the Big Ws (What, Why, When, Where, Which, WTF,  etc) fluttering in their minds, while enjoying these hymns, with the help of the explanation in English, of course – there aren’t many who comprehend these classical Thamizh (தொல் தமிழ் – well, almost) hymns by simply reading them. In fact, Mrs Swamy got so intrigued by this incomprehensible phenomenon (in the earlier days, Swamy used to wake her up from her deep slumber to share the new hymn that has just flowed – her reaction is left to your imagination 😒), that she started dragging Swamy to one Jeeva SamAdhi (of Siddhars) after another, seeking answers for the Big ?s! 👣

Padhiga Padhigam (a hymn about the hymns)

Essentially a conversation between Swamy’s mind and Swamy (whether the individual or the universal self is itself a big W, which we arent trying to unravel now), where the mind takes different forms – unreal / MAyA, of course – such as male, female, bird, mirror, wave, poet, garden and net and praise the hymns as one thing or another (trying the trick of praise that had even the mighty ones falling for it unfailingly, for eons), which Swamy steadfastly refutes and clarifies as an outcome of the Grace of Lord ShivA, Mother Goddess DEvi, their illustrious YOgi son Murugan, etc (signifying the 8 broad categories of hymns).

ENmaNi MAlai (8 garlands of gems / hymns)

There were obviously many questions even for Swamily, including but not limited to, Why is Swamy the chosen one (to write hymns, that’s all)?; How long will this go on?, etc. Swamy Sr even tried doing some genetic research to dig out an ancestral connection (no, there arent any – at least none poetically inclined, so far).

Part of the answer came one fine day (aren’t they all – until we make them not so, with our screwed up intellect!), around noon, before brunch (both Mr & Mrs Swamy eat only twice a day, that too PrANic food, as much as practically feasible), when Swamy was in the midst of one of his daily meditations. 8 titles flashed past swiftly and he knew instinctively that they’re nothing but the logical grouping of the hymns that flow through him. Here they are… 👇


Shiva MaNimAlai (சிவ மணிமாலை) 

~ Garland of gems / hymns on Lord ShivA. This could potentially be more than one book, going by the rate at which the Dancing Lord is showering his Grace through hymn after enchanting hymn. Its quite normal for Joy drops to flow, either while writing or singing Shiva MaNimAlai (சிவ மணிமாலை) hymns (பதிகங்கள்), which gives one the taste of – in terms of direct experience – the state of devotion that Saints like NhAyanmArs (நாயன்மார்கள்), ThAyumAnavar (தாயுமானவர்), Kumaragurubarar (குமரகுருபரர்), Adi ShankarA (ஆதி சங்கரர்) and ArutprakAsa VaLLalAr (அருட்பிரகாச வள்ளலார்) must have experienced.😇


Shakthi MaNimAlai (சக்தி மணிமாலை) 

~ Garland of gems / hymns on Mother Goddess DEvi. She took her own sweet time to let her Grace flow through the hymns, but whenever she chooses to flow, its always a torrential downpour that will immerse and envelop one in her unconditionally Universal Motherly Love thats fiercely compassionate – the same torrent that must’ve drenched AbirAmi Bhattar (அபிராமி பட்டர்), Adi ShankarA (ஆதி சங்கரர்), KALidAsA (காளிதாசர்) and many such DEvi upAsakAs (தேவி உபாசகர்கள்). 😂

Guha MaNimAlai (குஹ மணிமாலை) 

~ Garland of gems / hymns on the Lord & Devi’s illustrious YOgi (+ warrior, created for the sole purpose of annihilation of evil) son Lord Murugan (Karthikeyan, Kumaran, Skandan…), who is also very special for Thamizh people worldwide (தமிழ்க் கடவுள்) and also happens to be Swamily’s family deity (ஸ்வாமி குடும்பத்தாரின் குலதெய்வம்). Those who are familiar with ancient Thamizh hymns (like Mrs Swamys maternal aunt) say, these hymns resemble the magnificent (& still very popular) ones sung by the Saint Poet AruNagirinhAdhar (அருணகிரிநாதர்). Swamy eventually realised this connect (which was clearly indicated during the advanced YOgA program called SamyamA, which Swamy did in his Master Sadhgurus presence in 2013) and prostrated at the incomparable poets Jeeva SamAdhi (ஜீவ சமாதி) at ThiruvaNNAmalai (திருவண்ணாமலை), during the Pancha BhUtha Sthala YAtrA (பஞ்சபூத ஸ்தல யாத்திரை), requesting him to guide Swamy as a MAnaseeka Guru (மானசீக குருநாதர்).

Iha MaNimAlai (இக அல்லது அக மணிமாலை

~ Garland of gems / hymns on the vast (and deep) Internal Space (within every being), where the Lord resides, active but dormant, until the seeking for Truth starts. As Swamy’s Master Sadhguru says “The only way out is In!” (வெளியேற ஒரே வழி உள்ளேதான் இருக்கிறது). 


Para MaNimAlai (பர அல்லது புற மணிமாலை) 

~ Garland of gems / hymns on the perceived External Space (by every being), which isnt real, until one realises the trap in which one is entangled (for many lifetimes) and the thirst to know the way out becomes so unbearable (like a painful scream within), when a Guru happens (to guide the Seeker along the path to liberation). That’s how Sadhguru happened for Swamy (who he didn’t even know) and turned his Life outside-in! 🙃😌

Thava MaNimAlai (தவ மணிமாலை) 

~ Garland of gems / hymns on the Spiritual process / pursuit, in the form of SAdhanA, on any (or many or all) of the four paths, viz KriyA, KarmA, Bakthi & GnAnA, (க்ரியா யோகா, கர்ம யோகா, பக்தி யோகா, ஞான யோகா) and the experiences related to such SAdhanA (ஆன்மீக சாதனை அல்லது பயிற்சி). Since the proportion or mix of these four well-treaded paths varies from seeker to seeker, the need for a Guru has always been emphasised as essential in this liberation focused culture, in order to progress towards mukthi (முக்தி அல்லது வீடுபேறு). 

Pugazh MaNimAlai (புகழ் மணிமாலை) 

~ Garland of gems / hymns, in praise of the innumerable Saints, Masters, Devotees and Seekers, who have walked the spiritual path before us, and chose to share their (at least quite a few of them) experiences and methods with the ones who may eventually walk along the same path leading to the Truth. This liberation focused (not God focused, as widely misunderstood, because of the innumerable number of Gods & Goddesses we worship) culture always had many eminent spiritual beings (ஆன்மீக சாதகர்கள்) and Masters (குருமார்கள்), who not only attained self-realization (தன்னை அறிதல்), but were always willing to guide others along the path to liberation. 🙏

GnAna MaNimAlai (ஞான மணிமாலை) 

~ Garland of gems / hymns on the experience of self-realisation and ultimate liberation (mukthi). As of now, Swamy isnt qualified to write these (as he isn’t a realised being, yet). But as and when they’re written down, they will certainly resonate with (& possibly resemble) the enchanting hymns written by many realised beings (ஞானோதயம் அடைந்தோர்), who had experienced the direct perception of reality / ultimate Truth (மெய்ஞானம்), before him. 

Of course, being a gray haired Millennial, Swamy uses digital devices (smartphone & tablet – both Android) & tools (Google Docs, Evernote, 2 different Photo Editor apps) to write down and publish these hymns, on social media, so that fellow seekers (and followers who aren’t yet seekers) too can get drenched in the boundless Grace of the creator.

All the Dhinam Oru Padhigam (தினம் ஒரு பதிகம்) hymns are freely available for anyone who seeks (at least some answers about this seemingly pointless existence) and will continue to remain free on social media (FacebookGoogle+TwitterWhatsApp, Pinterest, Swamyem / DhinamOruPadhigam blog). 

There are plans for a dedicated blog / website (http://www.dhinamorupadhigam.net or .org or https://DhinamOruPadhigam.wordpress.com) that’ll have the hymns (logically grouped in the Eight ManimAlai categories), with explanations in English & Thamizh (requested by many, who are conversant with the language but unable to comprehend the nuances in the hymns fully), and in audio form as well (in Swamy’s voice). An YouTube channel too is a possibility, in the future.

With Grace, these collections of Dhinam Oru Padhigam hymns might even be in the hands of Seekers like you, in the form of published books, someday – hopefully sooner than later! Hopefully you won’t mind paying for them, as and when they’re published – in both analog & digital formats 😜 And share them with your near & dear, as a gift for starting their own seeking.👍

May Grace be with you 🙌 for a purposeful Life 🌻 overflowing with Joy 😌

Be Joyful 😌 & Spread the Cheer 🌻


ShambhO 🙏

~Swamy

@PrakashSwamy

18 Steps to Emancipation | Step 2 ~ Past in the Present!

22 Jan

18 Steps to Emancipation! ~ Swamys first SabarimalA yAtrA experience (January 2017)

Step 2 ~ Past in the Present

You may climb Step 1 ~ End or Beginning! here… 

Swamy consciously avoids dwelling in the past and speculating the future, trying to remain rooted in the present moment instead, following his Master Sadhgurus powerful saying This moment is inevitable. But as he sat on the wooden platform inside the viri (place of stay – there will be many all along the route to the holy shrine, while this one was specifically assigned to the group that Swamy belonged to) at SabarimalA, baked by the boiling sun, he couldnt help going back to how and when it all started.

When Swamy went to the Pancha BhUta Sthala* yAtrA with his UpaGuru^^ last year, there were many interesting conversations. During one of them, Swamy casually mentioned that he had never been to SabarimalA. Being a veteran of SabarimalA yAtrA (apart from many other such yAtrAs, needless to say), his Upa Guru immediately offered to take him along the next time. He promptly pinged Swamy in November 2016 and informed that he has to start the one mandalam Vratham (sAdhanA, to be observed by all yAtris to SabarimalA). Few other instructions and guidelines followed and on November 16, 2016, Swamy took the baby steps for his maiden yAtrA to the holy shrine of SabarimalA, which culminated in the darshan of the Lord of the Five Hills (AindhumalaivAsan) on January 15, 2017.

Though Swamy had witnessed the spectacle of grand pUjAs performed to Lord AyyappA at his maternal grandparents home in Madurai, while he was still in primary school (two of his maternal uncles have been regularly going to SabarimalA at that time, via the longer Periya PAdhai, as part of the famous Neelakanda Ayyappan group from Madurai), the thought of going there has never occurred to him. Later, one of his younger brothers also went a few time and even his father too undertook the yAtrA once. That makes it abundantly clear that SabarimalA yAtrA is more a calling of the Lord than a person’s choice. And the Lord must have decided that Swamy was ready only when he was 46 years old and completely free of survival related pressures.

The twice daily pUjA (floral offering while chanting the AshtOthram or 108 names of the Lord), followed by SharaNam (a series of 21 chants thats unique to the Lord, who is also known as SharaNa GOshappriyan, followed by prostrating on the floor, after each chant), NaivEdhyam (of a simple sweet liquid called PAnakham) and Aarthi (performed with Karpooram / camphor) happened beautifully without a break. Almost on all days, the Lord was also decorated with flowers. All austerities (that aren’t too different from the YamA & NiyamAs in the scriptures) to be followed along with the daily rituals were also adhered to, as prescribed.

Being a seeker on the spiritual path for a while now, guided by the boundless Grace of his Master Sadhguru, performing a sAdhanA for a mandalam or adhering to specific food consumption guidelines were a no brainer for Swamy (pretty much a given for any and every spiritual sAdhanA, which keep coming one after the other, year after year). But all that didn’t offer even a hint as to what the yAtrA itself would be like, which was both progressively exciting and excruciating, as the days rolled by.

Swamy was brought back to the present moment by a little bit of commotion within the viri. One of the Guru Swamys (referred to as GM from now on, for easy reference), a revered SabarimalA veteran of several decades, has just arrived, after having darshan of the Lord. Even before he rested after the long day out in the blazing sun, he was seen enquiring about the other Guru Swamy of the group (referred to as GJ from now on, for easy reference), who hasnt yet made it to the viri. He was also in the company of two more elderly veterans, which made the situation a bit worrisome, considering their physical wellbeing. So, it was time to find why was he delayed and where he was now.

Like any Guru Swamy who takes special care of the Kanni Swamys (first timers or rookies in the group), GM took Swamy along in his search of GJ, in the company of Swamy’s yAtrA Guru (leader of the smaller team of yAtris that Swamy was part of). Though they didnt succeed in locating GJ, Swamy ended up seeing the procession of MALigappuram^ DEvi, who was headed towards the Lords shrine to seek his hand in marriage, and also the spectacular procession of the AlanguLam** group, whose historic significance goes all the way back to when Lord AyyappA waged war against UdhayaNan, to reconstruct and restore the glory of the magnificent temple of Dharma SAsthA at Sabaripeetam. Though the 18 Steps can be climbed only once, and only by those yAtris with Irumudi, Swamy wished to at least see and bow down to it once more. That wish too was granted by GM, during the search for GJ. After returning to the viri, they found GJ seated there, obviously exhausted and not too thrilled at being left behind, though the graceful Lord ensured he too had his darshan by then.

As Swamy sat there wondering what’s next, his sexagenarian companion (a very busy wiry thin man, who was always on the move, defying his advanced age, pretty much always helping someone or other – especially the rookies, without expecting anything in return – a perfect portrait of Karma YOgi) transpired out of nowhere and offered to take him to the place of annadhAnam (good quality food offered free to all yAtris, all through the day, until the closure of the shrine at the conclusion of the mandalam) and then for another darshan of the Lord.

As the sun continued on his daily trip from east to west, the Lord would continue to shower his Grace on Swamy, with one enchanting darshan after another – 4 in all by the end of the day, each different from the previous one, and 5 in total before the descent began the next day. What more could Swamy – a staunch devotee of AdiYOgi Lord ShivA, not unlike any seeker on the yOgic path – ask for, as the number of darshans he had perfectly aligned with the PanchAkshara mUla mantrA of his blissed out Lord, the magnificent Lord of the Cosmic Dance, the first yOgi or AdiYOgi and first Guru or Adi Guru in the form of DakshiNAmurthy, the only PurushA and the father of all beings in creation, including Lord Sabarigireesan.

Hara Hara MahAdEvA!

*Pancha BhUta SthalAs are five significant shrines of Lord ShivA (& Devi Shakthi, of course), specifically consecrated to enhance (or moderate – depending on the yAtris disposition) that particular BhUtAs (elements – Agni / Fire, Jal or Appu / Water, VAyu / Air or Wind, Prithvi / Land or Earth and AkAsh / Space) attribute. By performing specific rituals / processes at each SthalA, one can observe / experience changes, both internally and externally. The sthalAs / temples are as follows:

VAyu sthalam (wind) ~ SriKALahasthi (KALathinhAdhar or KALahasthEswarar and GnAnaprasUnAmbikai amman), which is also known for RAhu-KEthu dOsha nivAraNam (relief) and the place where hunter-saint KaNNappar received the Lord’s Grace through his raw expression of pure bakthi (devotion). 

Prithvi sthalam (earth) ~ KAnchipuram (EkAmbaranhAdhar or EkAmbarEswarar and KAmAkshi amman, who is worshipped in a separate shrine), popularly known as the temple city that literally overflows with hundreds of temples.

Agni sthalam (fire) ~ ThiruvaNNAmalai (ANNAmalaiyAr and UNNAmulai amman). Also popular as the place from where BhagavAn RamaNa Maharishi showered his grace for many decades, after his self-realisation, and guided scores of seekers thru the path of GnAna yOgA.

AkAsha sthalam (space) ~ Chidhambaram (SabApathy or NatarAjar and SivagAmi or SivakAmasundari amman). This is also one of the Nadana Sabhais (courts or halls of dance) of the dancing Lord, known as Ponnambalam or Golden SabhAi. Also considered the spiritual center of the universe, where the Lord eternally performs the cosmic dance of Anandha ThANdavA (dance of bliss).

Jala or Appu sthalam ~ ThiruvAnaikkAval (JambhukEswarar and AkhilANdEswari amman), near Srirangam, where the popular Dhivya DEsam of Lord MahAvishNu is also located. There is also a shrine for Sadhguru Sri BrahmA (Sadhguru in his previous birth), where he was in SamAdhi, buried in the earth, for a mandalam. Swamy’s small group of yAtris, led by his UpaGuru, were fortunate to conclude their Pancha BhUta Sthala yAtrA in Sadhguru’s shrine.  

^When UdhayaNan attacked the Lord while he was in meditation, MALigappuram DEvi, who was held captive by him, is said to have given her own life by taking the blow of the weapon . She wished to be married to him, but as a brahmachAri and yOgi, the Lord politely declined but assured her that he would indeed marry her, in the year when no new yAtri (Kanni Swamy) visits his shrine. Nurturing that hope, she visits the Lord’s shrine in an impressive procession (used to be on elephants, with regal decorations) every year, but she would eventually return to her abode, sadly disappointed, upon seeing the thousands of sarams / arrows placed at Sanguththi, by Kanni Swamys like Swamy, which means she wont be able to marry the Lord this year too.

**Kochu Kadutha Swamy of the AmbalappuzhA yOgam band of warriors is the one who finally slayed UdhayaNan, as Lord Ayyappan has already sat in deep meditation. Along with AmbalappuzhA yOgam, PandaLa yOgam led by Villan & Mallan and AlangAd yOgam led by VAvar formed Lord Ayyappan’s formidable army,  which earned them the special rights in SabarimalA worship. While PandaLa yOgam preserves the Lord’s ThiruvAbharaNam (ceremonial clothing, jewellery) & brings it to the shrine on the day of Makara JyOthi, AlangAd yOgam got the right to perform PEttai ThuLLal at Erumeli (a stone’s throw away from VAvar Swamy’s mosque shrine & also the right to ascend the sacred 18 steps, without the Irumudi, which is mandatory for everyone else.

^^UpaGuru is like the VP of a nation or Vice Captain of a team, in the spiritual space, a Guide with immense knowledge & Mentor with extensive experience, who is readily available – and approachable, needless to say – for a seeker who has a Guru but needs ongoing guidance and direction, for which s/he couldn’t reach out to her/is Guru for various practical reasons. 

(at least) 16 more Steps to be climbed…

~Swamy (@PrakashSwamy)

18 Steps to Emancipation! is a blog series on Swamy’s first yAtrA to the sacred hill shrine of Lord Dharma SAsthA at SabarimalA in 2017, as a Kanni SwAmy (first timer or rookie) of the ABASS Kolkatta, a traditional yAtrA group of SabarimalA veterans, who perform the annual yAtrA via the longer (& needless to say, harder) route known as Peruvazhi or Periya PAdhai. 
You’re welcome to cherish other Swamy blog posts (SwamysteryBeen There Seen ThatSwamyviewSwamyverseSwamygraphy), Quotes (SwamyRay / SwamyQuote) & Poems (Swamyem – including the 180 & counting #DhinamOruPadhigam hymns), leave a comment and share it with your social circles. You’re also welcome to stay connected to Swamy (@PrakashSwamy) on Social Media.

Be joyful & Spread the Cheer 🙂

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