Tag Archives: parayanam

What’s In A 1000 Names ~ musings on Sahasranamam!

2 Mar
What’s In A 1000 Names!

~ musings on Sahasranamam (LalithA & VishNu)

A recent share by a family member on conducting ‘VishNu SahasranhAmam PArAyaNam‘ session at their home triggered an interesting discussion thread. Sharing it here, which hopefully offers some enchanting insights into two of the most popular Sahasranhamam sthothrams, i.e. LalithA SahasranhAmam (1000 sacred names of DEvi LalithA ParamEswari) and VishNu SahasrahAmam (1000 sacred names of Lord MahAVishNu).
‘Vishnu SahasranhAmam’ (விஷ்ணு சஹஸ்ரநாமம் ~ 1000 sacred names of Lord MahAVishNu) chanting for Swamy was initiated by his Upa Guru Sohamanandaji, during the ChAr DhAm yAtrA (YamunOtri-GangOtri-KEdArnAth-BadhrinAth). 👣

A daily practice at many Vaishnavite households (along with the ubiquitous SuprabhAtham), Vishnnu SahasranhAmam chanting continues to happen at SwamyHome, which, per religious / social norms (and spiritual practices, needless to say) is a Shaivite household (with the help of ‘பெரிய எழுத்து’ ~ bold letters edition by Giri Trading Agency, of course) every Saturday, after the daily chanting for Lord SkandhaGurunhAthan (Swamy’s Kuladheivam [குலதெய்வம்] ~ worshipped in the form of VEl [வேல்]). 😌 On Fridays, it’s the turn of Sri LalithA Sahasranhamam (ஸ்ரீ லலிதா சஹஸ்ரநாமம்), needless to say 🔥🙏

Incidentally, ‘ஸ்ரீ லலிதா சஹஸ்ரநாமம்’ (Sri LalithA SahasranhAmam) is said to have been chanted by Lord Hayagreevar (ஹயக்ரீவர் ~ Horse-faced Lord), who is an amsam or manifestation of Lord VishNu (not an avatAr, like Sri RAmA or Sri KrishNA). So it’s essentially a sthOthram by the elder brother praising younger sister (who was given away in marriage to Adiyogi ShivA)🙌, which is practically unheard of, but truly awesome. For those on the path of ShAktham (சாக்தம் [அ] சக்தி வழிபாடு [அ] தேவி உபாசனை ~ worship of the supreme reality as Shakthi, i.e. Mother or DEvi), it’s the child praising its mother, as all three primary Gods (and their consorts as well) are said to be created by the Divine Mother, for the sake of creation, with specific responsibilities, viz. Creation (Lord BrahmA), Sustenance (Lord MahAVishNu) and Transformation / Salvation (Lord ShivA).

The place where Lord Hayagreevar is believed to have chanted LalithA Sahasranhamam is enroute to Mount KailAsh, along the trekking path from the base camp. 👣

Swamy’s Upa Guru Sohamanandaji is a DEvi upAsakar (the form worshipped by him is DEvi ChinnaMasthA ~ தேவி சின்னமஸ்தா), so he has naturally started chanting LalithA Sahasranhamam during the trek to KailAsh (he was part of the same Isha SacredWalks group as Swamy, but hasn’t yet become Swamy’s Upa Guru, then), while crossing a particular spot. A Buddhist Monk who was going the other way stopped for a moment and told him “Horse face God chanted it here,” and pointed to some form of identification at that spot. 🙌 ShambhO 🙏

However, the origin of LalithA Sahasranhamam is said to be DEvi herself 🔥, since it’s practically impossible for any other being in creation to express Adi ParAshakthi’s (ஆதி பராசக்தி) magnificence in full🙏. With the possible exception of her other half, of course! 😂

Naturally, there’s an enchanting sthOthram on DEvi by none other than Lord ShivA himself, which is known as ‘Soundharyalahari’ (சௌந்தர்யலஹரி), which is essentially a husband’s praise of the enchanting beauty and virtues of his wife, with intimate details about her physique, mind, nature, etc.

The version of Soundharyalahari sthOthram that we’ve now is said to be an abridged edition, offered to us by Jagadguru Adi ShankarAchArya ✍

According to mythical lore, when the Jagadguru had the privilege of listening to the entire hymn (while having the darshan of அம்மையப்பன், obviously), he wanted to naturally share it with humanity. But when he was leaving KailAsh with the entire hymn (in which form is unknown, but that’s just a trivial detail), NandhikEswara (நந்திகேஸ்வரர்) apparently intercepted him and removed a whole bunch of verses that are considered too privy to be shared with anyone else. That makes Lord Nandhi the first censor board official! 😂🙏🙌
Here’s an(other) enchanting tale about VishNu Sahasranamam…

A lot of devotees know that VishNu Sahasranamam was chanted by Bheeshma PithAmah (பீஷ்ம பிதாமஹர்) while waiting to leave his body at an auspicious time (there’s a tale related to the actual event – of his inability to leave, despite his boon – which is covered well in the insightful Ratha Sapthami video by ஆலயம் செல்வீர் ~ Aalayam Selveer YouTube channel).
But only after the chanting was completed by Bheeshmar, everyone present there realised the significance of the hymn and regretted that no one recorded it for posterity. So, Lord KrishNa himself offered them the solution.
The Lord, the eighth avatAr (incarnation) of MahAVishNu, pointed out that since SahAdEvA (or NakulA, not sure which one, but most likely the former, who is an expert in many ShAstrAs, including Astrology, which alludes to him being the chosen one) is the one wearing a Spatikha mAla (ஸ்படிக மணிமாலை), he should be able to recall the hymn, in its entirety.

Spatikha apparently has memory that enables it to absorb nhAdha (sound / vibrations), which is the insight one can gain from this. 😇 Our limited knowledge is only about the cooling property of the gem. That’s how we ended up getting the enchanting VishNu Sahasranamam sthOthram. 🙏
So, is it any surprise that most (all!) those who do Vedic chanting and chanting of hymns regularly wear Spatikha mAla, in addition to RudrAksha mAla (whose purpose is vastly different)! 🤔🤘

Disclaimer: Swamy is just a seeker on the spiritual path, blessed to be guided by the Grace of a Guru (Realised Master) and experiential wisdom of a Upa Guru, and never claimed to be an expert on SanAthana Dharma. So, if you know more about these Sahasranamam chants, kindly share as comment and Swamy would be glad to learn.

~Swamy | @PrakashSwamy

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