Tag Archives: Initiation

Obstacles on the Path ~ 2 of n!

15 May
Obstacles on the Path ~ 2 of n
Informed Ignorance!

A few days ago

, one of the SwamyPals (the motley group of friends and acquaintances from the academic and corporate phase of this lifetime who are still connected to Swamy, for whatever strange inexplicable reason) wrote to Swamy thus…
“Recently i wanted to exlore on vel …as i read it can delete karma… wanted to know how they do vel prayer and what is the significance in case you know.”
Such sudden desire or interest to explore some unknown well-known is common in humans, because there’s no dearth of information on anything and everything (that’s the well-known part), which makes one want to know more about… well, pretty much anything and everything (the unknown part).
While “Informed Ignorance” isn’t harmful (there are many other horrible afflictions taunting humans at every blind turn on the survival expressway) to anyone – including the info-seeker – as long as it remains at information level (“I read / see / hear, therefore I am“), initiating action related to some unknown, solely based on information, as opposed to knowledge or wisdom, will most certainly be harmful, particularly for the person who performs the action, whatever it is. So, let’s look at how the widespread phenomenon of “Informed Ignorance” can be an obstacle on the path (to realise the Truth).
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Disclaimer: Though Swamy is an actual practitioner of the processes mentioned in this post, he strongly advises you, the dear reader, against using any information to initiate actions on your own. All the processes mentioned below have to be initiated formally by someone with prior experience, i.e. a practitioner or sadhaka, who is qualified to initiate others.
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In this ancient culture, many different ways of connecting with the divine, with the objective of dissolving the individual identity and merging with the omnipresent entity / energy known as NirghuNa ParaBrahmam (aka Mukti ~ ultimate liberation from the repetitive birth-death cycle), were created. One of them is using the combination of 3 things known as Yantra, Tantra and Mantra.
YantrA is a device or machine. It has a specific form (depending on the divine form that it is associated with) and purpose (both material and spiritual). YantrA is physical and can be two (picture) or three dimensional (device). In its most simplified form, even the kOlam drawn in front of the home or inside the puja room can be a yantrA.
Tantra is the process or method to use the Yantra or device. It’s typically a ritual with very specific guidelines that need to be adhered to, in order for the process to be effective, i.e. yield the expected outcome. Tantra process can be very elaborate (including homam or havan, etc) or simple, but the guidelines cannot be tailored or modified by the user.
Mantra is the Chant used for the Tantra (process) to access the Yantra (device). It could be a single sound (Bija like Lum, Hrim, etc) or a Chant specific to the divine form (AUM Namah ShivAya for Lord ShivA) or a slOkha (like the GAyathri mantra) or even a sTothram (like VEl mARal or LalithA Thrishadi).
The combination of all three is used as a sAdhanA (spiritual process) to attain self-realisation and eventually liberation. It can also be used to attain specific siddhis (mystical powers) or benefits on the material plane of existence but that’s like misusing or grossly under-utilising a powerful device – like driving a Lamborghini Urus in the peak hour OMR traffic in Chennai (or anytime in Bengaluru)!

YantAs are of different forms and shapes, depending on the deity or divine forms that it is used to access. For Lord ShivA, it’s usually a Linga. For DEvi Shakthi, it’s the Sri ChakrA and MEru (3D form of Sri ChakrA) or something like the Linga Bhairavi YantrA that’s in SwamyHome. For Lord MahAVishNu, it’s a sALagrAmam. For Lord Murugan, it’s the mighty Vel (lance / spear). There are many others like this such as PanchAyudha (five different stones representing five aspects / forms of the divine), each with its own associated processes and chants.
Having a YantrA at home and accessing it (using it for any purpose – material or spiritual) requires formal initiation from either a Realised Master (Guru) or a sAdhakA (practitioner) who has attained mastery over the process and is qualified to instruct others. This is extremely important for the actual functioning of the device to yield specific outcomes. Though it’s very tempting (and obviously easy), one shouldn’t get any yantrA and start using it by oneself, as the yantrA is not an electric or electronic device that comes with DIY instructions.

At SwamyHome, we’ve a Linga Bhairavi YantrA, which was received from Swamy’s Master Sadhguru, an accomplished Yogi, Mystic and visionary founder of Isha Yoga. There is a daily process (TantrA) that needs to be done by both Mr and Mrs Swamy (this yantrA is usually received by partners – life or business; there’s also a slightly larger form known as Avigna yantrA, for larger spaces and organisations). The Chant (MantrA) is about 11 minutes long (duration of the process) and done in Sadhguru’s voice itself, so that it sounds exactly as it is supposed to be (chanting has to be always precise – both what and how are critical – that’s why those who Chant the vEdAs undergo rigorous practice for many years).
The sanctity of the space where the Linga Bhairavi YantrA is kept has to be maintained like a temple – always kept clean, with a ghee or oil lamp lit and no eating, drinking or sleeping is to be done for 10 sq ft around it. There are also specific guidelines for days such as PourNami (full moon) & GrahaNam (eclipse) and if both the practitioners are away for more than 3 days. In a way, our home is a temple now with DEvi established and very much present in the GarbhagrihA (the puja room). Since we know that by experience, we ensure that it’s maintained that way as well, to the best of our abilities (cleanliness, alankAram – decoration, arpaNam – offering, Aarti – lighting camphor).

As our home is a consecrated space now, we’re also expected to let as many people experience Devi’s Grace by inviting them to our home and let them participate by chanting slokhAs, performing Aarti or simply sit and get soaked in her fiercely compassionate Grace. There are many who have experienced this and turned speechless (or speak only about her glorious presence) or become teary-eyed.

We also have a vEl, the worship of which was initiated by Swamy’s SabarimalA Guruswamy Mohanji, who is a upAsakar of many divine forms, including DEvi, Murugan and Dharma SAsthA. According to his specific guidelines and instructions, it is established within the puja room (which is essentially DEvi Linga Bhairavi’s sanctum sanctorum) and a daily process (combination of chanting and offering) is performed for it. Abhishekham and AlankAram are performed either on Sashti or on Tuesdays and special puja is performed on KArthigai and Thai Poosam days.
During the annual visit to the Kuladeivam temple at Kumaramalai (near Pudukkottai), this vEl is taken and kept in the GarbagrihA of the temple and all abhishEkhams are performed by the archakar for this vEl as well, along with the main deity (Sri BAla DhaNdAyudhapANi).

After an year (typical time between two SabarimalA yAtrAs along the Peruvazhi or Periya PAdhai route) of observance of the preliminary process, Swamy was initiated into a cleansing mantrA this year, which is in progress now. At some point in time, the formal mantrA initiation will happen and that’ll become the core JapA (chanting) process for Swamy’s spiritual pursuit (incidentally, Swamy also has been initiated into another JapA mantrA by his Upa Guru Sohamanandaji, but that doesn’t involve yantrA and tantrA).

Apart from this, there’s also a Sadhguru Sannidhi or PAdha yantrA at SwamyHome. It’s essentially the footprint of Sadhguru, filled with a special vibhUthi that’s available only at the Isha Ashram. This vibhUthi can be applied by anyone visiting our home. There’s a weekly Sannidhi Puja for this yantrA. Other than that, there are no restrictions on the space, unlike DEvi yantrA. There’s also a DhyAnalinga yantrA, which was received by Swamy Jr, during his ShAmbhavi MahAmudrA initiation, for which there’s no process at all.
Other than availing these yantrAs and practising the associated tantrA and mantrAs, as instructed by the initiators, Swamy isn’t really knowledgeable about the significance of each or even how they work. Strictly a user, with the sole purpose of attaining Enlightenment, leading to Mukti, Swamy has learned to simply trust Grace to guide him along the path, instead of resorting to the usage of his (usually very active and inquisitive) limited intellect to decipher the what, why, how, when, etc.

Swamily (Swamy+Family ~ Mr, Mrs & Jr) can however vouch for the effects of the usage, which have been experienced through many incidents, including dramatic physical manifestations that will raise the eyebrows of even firm believers (Swamy btw is not a blind believer but a serious seeker), events and changes in behavioral traits, both within and outside the home. Here are a few…
  • Elimination of a major surgery, which was initially thought to be unavoidable
  • A specific form of Devi (worshipped long ago in the past) demanding vastra arpanam
  • Reminder to start a specific aspect of spiritual sadhana, which was missing
  • Clarity about one’s own self through suya dharisanam, which is cathartic (seeing one’s own personality in all its gory glory – warts and all – is mortifying)
  • Unprecedented confidence in applying inherent talent and accomplishing significant milestones, almost effortlessly
  • Darshan of various forms, not associated with the yantrA deities
  • Sensing someone faraway physically, when that person underwent surgery
  • Quality and quantity of visitors
  • Stanzas for many Dhinam Oru Padhigam hymns
  • Pleasant passing away (including the post-death rituals) of a family member
… the list of such experiences and happenings is only getting longer, many of which can only be experienced and not explained. All such experiences are very real and truly enchanting, but one must be cautious about not getting stuck with these happenings and remain conscious that all these are just indicators for one to continue treading the path, towards the only destination, the final and ultimate liberation (Mukti).

On the survival plane of existence (Swamy is still a GrihasthA – householder after all and continues to take care of his beloved family), Life in the presence of yantrAs is blissful indeed, even after quitting the well-paying corporate servitude willingly (may be, especially after quitting it – ha.. ha..). And living is only getting better, every single present moment.
Unfortunately, YantrAs are sold commercially nowadays and anyone can procure and keep them at home and even perform some form of worship / process daily. This is not advisable as many of these commercial spiritualists may not be really knowledgeable in this ancient process and won’t be able to help / rectify any challenges faced by the buyers. If one doesn’t know how to ride a super bike, one shouldn’t get it and stick to a humble commuter bike or trusted scooter instead. It’s as simple as that.

In a nutshell, the combination of YantrA + TantrA + MantrA works, without a doubt, when done the ancient way ~ initiated by a Master or one who has attained Mastery, and adhered to all the instructions exactly as they are. Oh btw, yantrAs ensure the practitioner’s ‘needs’ are taken care of, not the numerous (and obviously, pointless) ‘wants!’ So, getting a YantrA to beat someone in something or become filthy rich in someway may not really work out that way.
Since the thought about yantrA (the mighty vEl of Lord SkandhaGurunhAthan, in your case) has been seeded in you (trust me, you haven’t thought about it – that’s the folly of ‘informed ignorance’), it’s only natural that you’ll also receive the necessary guidance from someone qualified, in time. Trust the most benevolent creator to shine the light on those who seek sincerely. Just keep the fire of seeking burning brightly, within.
May Grace be with you to avail the amazing combination of YantrA+TantrA+MantrA in this lifetime itself, to attain the ultimate. Shambho.
~Swamy | @PrakahsSwamy

NATYA – a simple formula for success

25 Oct

On Vijayadasami day (Oct 22, 2015), considered auspicious for Vidhyarambham (initiation of learning, of all kinds, including performing arts) in Bharat, Swamy was invited to be one of the chief guests for a classical dance event. While Swamy doesn’t have any claim to be associated with dance in any way (he at least actively listens to many kinds of music, including the classical, and even sings & plays percussion instruments, though not formally trained in either), he chose to accept the invite as a mark of respect for the tremendous amount of effort that goes into learning an art or craft (or even sport for that matter, which Swamy has witnessed up-close-and-personal as he’s been part of the quest to raise Jr as a sports – Chess – champion) by all beings involved – the learner (usually an eager child), the learned (the teacher, trainer, coach or Guru, who trains many eager children), the learning enablers (usually parents and a few near & dear) and the learning itself, which is an excruciating, arduous & invariably long process that inevitably consumes a significant part of the childhood. But on any day, Swamy would gladly vote for children spending time learning a performing art, craft or sport, instead of wasting long hours pointlessly in rote learning.

wpid-20151022_181121.jpgThe event Swamy was invited to was a Salangai Puja, to mark the elevation of learners of classical dance from beginner to intermediate level, by letting them wear the salangai on their legs (around the ankle) for the first time, after a few years of learning the basics of classical dance – Bharatanatyam, in this case. The learners will continue to learn for a few more years under the Guru before they can do the Arangetram, i.e., first (typically public) solo performance, announcing to the world that s/he is ready to perform the dance independently anywhere.

SP31Four children – Adhira, Shailaja, Shivadarshini & Srujana – from Siva Natyalaya (the popular dance school of Mrs. Bhuvanadevi Karthikeyan located at Madambakkam, near the famed ancient Shiva temple) were elevated by their Guru to the next level on Vijayadasami & Swamy was one of the chief guests (the other two – Mrs. M.R.Lakshmi & Mrs. Krishnakumari Karthikeyan – were eminent persons from music & dance arenas respectively). This blog post is an excerpt of Swamy’s speech at the salangai puja (not his first public speech but certainly the first at a performing arts or cultural event).

NATYA – a simple formula for success

SP4Swamy’s speech at Siva Natyalaya’s Bharatanatyam Salangai Puja (சலங்கை பூஜை) event in Chennai on 22-Oct-2015 (the speech was in Tamizh தமிழ், which Swamy is quite conversant with, as it happens to be his mother tongue தாய்மொழி)

Namaskaram. After seeing my profession on the invitation (in chaste தமிழ், no less), you must’ve been wondering about what I really do for a living and what relationship do I’ve, if any, with dance!

பிரகாஷ் ராமஸ்வாமி – முழுமை வழிகாட்டி, மனித உள் ஆற்றல் கண்டறிதல் மற்றும் பேணி வளர்த்தல் வல்லுநர் 

SP14I too have wondered the same way about the dance part, as unlike the other two chief guests here – one from the classical music world (learning from none other than the great Semmangudi himself) & the other from the classical dance world (whose grandfather learned from the legendary Balasaraswathi), I’ve nothing to do with dance. Music has been a part of my Life but dance not so much. But as I also write (blogs now, books soon), it’s natural for me to ponder about things and wonder about connections between seemingly unrelated things. When I thought about me & dance, it dawned upon me that there indeed is a powerful connect. And that is Adiyogi (Swamy pointed to the bronze Nataraja statue on the stage that was decked up with flowers for the auspicious occasion).

SP2As someone on the spiritual path for the about 6 years now through Isha yoga, we’re deeply reverential to Adiyogi. Shiva is considered the first yogi in the yogic culture. Incidentally, he also happens to be the Lord of Dance, i.e. Nataraja. His famed dance is the Tandava – in Ananda & Rudra forms – and he’s also known as Thandavakkon in Tamizh because of this. So, now you know the connection between Swamy and dance (the audience chuckle). 

SP9Once that became clear, I’ve thought about what to say in this forum, where eminent persons from music & dance arena are there and children are performing the traditional Bharatanatyam dance beautifully with able guidance from their Guru & the accompanying musicians. Since children are familiar with formulas in many subjects they learn at school such as maths, physics & chemistry, it would be appropriate to give them a simple formula for achieving success in their quest to become eminent classical dancers. And that simple formula is NATYA. Very easy to remember (as the term itself means dance) and hopefully to follow & practice as well.

SP10N is Nada. Nada means sound. The universe that we’re part of is said to have originated from sound –  the primordial sound AUM. Recently, NASA scientists have managed to make the sound of Sun audible and it incredibly sounds as AUM (which isn’t surprising for our ancient culture as the many sages & enlightened beings have figured it out many centuries ago). All Creation is said to be just sound and the creator is also known as Nada Brahma. For dance too, the basis is sound. We’ve seen how beautifully the word Pankajam in a song was depicted as blossoming of lotus by the children. When we hear the word (sound) and see the depiction through gestures or mudras (movement or expression), we can connect with it easily and can comprehend better. 

What’s critical in this relationship is the alignment – between sound and movement in the case of dance. It could be something else for other types of Life pursuits. Alignment with a source, principle, goal or purpose. If your action is in alignment with a purpose, the result will be beautiful and the expreince will be joyful.

SP12A is Agnostic. In these turbulent times of religious intolerance, agnostic is a very sensitive world. But agnostic doesn’t just mean non-believer. It also means someone who is not biased – towards good or bad, like or dislike, progressive or regressive and so on. Shiva is also known as Aghori, someone for whom nothing is ghori or horrible. He accepts everything as it is. The people surrounding him are always depicted as demented beings, but he loves them the same way he would love any other being. He’s as comfortable being in the graveyard smeared in ash, wearing skeletons as he’s in his magnificent Somasundareswara form (worshipped in the famous Madurai Meenakshi temple, in Swamy’s home town). That’s why he symbolises Life the way it is. 

As a learner of dance (or anything for that matter), you shouldn’t be biased towards one or the other. I like this adavu or I don’t like that jathi. This song is more beatiful to perform than that song. I prefer that accompanying person to this one. Your focus should remain just the dance itself (performance or action). And you’ll just accept everything else around it as it is. Nothing is good or bad, no likes or dislikes. Everything just the way it is. That’s being agnostic.

SP21T is Transendence. Loosly translated (as Swamy was speaking in Tamizh – a far deeper, more delightful & meaningful classical language), it is elevating oneself from the present state to a state that’s many levels above or beyond. In the yogic path, it is achieving the state of Samadhi – an eternal state of bliss, which enlightened beings are said to be in, all the time. 

In dance (or any performance or action), Transendence is not just for the dancer (to go from a learner to a spectacular performer) but for the spectators too (going from hmmm to wow). You should reach a level of performance where there’s no stage, no accompanying artists, no spectators, not even the dancer but just the dance. That kind of a dance would bring tears flooding from the eyes of anyone blessed to be present. Tandava certainly would’ve done that to the sages and celestial beings who may’ve witnessed it, as Tandava is the dance of transendence. Both at cosmic and atomic level as creation is also known as the dance of Shiva.

SP28Y is Yearning. Not earning, which unfortunately is the focus of many star performers in any performing art today. Without yearning for something, it’s not possible to achieve the state of transendence. The sages who’ve become enlightened have performed yoga or tapas for many years. The saptarishis have spent not one or two but 84 years in preparing themselves to receive the grace of Adiyogi, who after observing their diligent preparation has become the benevolent Adi Guru (first Guru or Master) as the benevolent Dakshinamurthi to transmit his yogic knowledge to them, several thousands of years ago.

SP23As a dancer (or anyone performing a purposeful action), you must have immense interest and expend tremendous effort to be someone that people line up to see, not because you follow the principles of dance to the T but because being part of your performance lets them transcend to a different level. That’s how you’ll be known as a Balasaraswathi, Rukmini Devi, Padma Subramaniam or Alarmelvalli. In classical music, Bho Shambho belongs to Maharajapuram Santhanam. One can’t think beyond Madurai Mani Iyer when it comes to rendering Ka Vaa Vaa. Suprabatham is synonymous with MS. The same holds true for Kanda Sashti Kavacham and Sulamangalam sisters. Such astonishing levels of achievement is possible for you too, if you truly yearn for it.

SP17A is Absolute. Adiyogi is depicted as either an ascetic in a blissed out state of meditation or ecstatic state of tandava. He’s not partially in either state but absolute in both states. Whenever you perform dance (or any other purposeful action), your intent, focus and intensity has to be absolute. Such a state is not possible if you are performing for others. The performance or action will naturally flow from within and encompass all those who are touched by the performance or action in some way, only when it is absolute. If every moment of our Life is absolute, there’s no other choice for us but to be joyful.

So, that’s the simple formula of NATYA
Nada – action in alignment with a purpose.
Agnostic – accepting Life the way it is, without any kind of bias.
Transendence – elevating oneself & others from the mundane routine to an eternal state of bliss.
Yearning – immense interest and effort to achieve peak performance.
Absolute – intent, focus & intensity to achive transendence.

SP35Nataraja’s (Shiva in the form of Lord of Dance) dance Tandava is said to depict or embody the 5 thatvasSrishti (ஆக்கல் அல்லது படைத்தல்), Sthiti (காத்தல் அல்லது பொறுத்தல்), Samhara (அழித்தல் அல்லது மாற்றல்), Tirobhava (மறைத்தல் அல்லது மாயை விளையாடல்) & Anugraha (அருளல் அல்லது விடுவித்தல்).

It’s easy to see the NATYA formula is directly associated with the 5 Tandava thatvas (தாண்டவ தத்துவம்). But if I start explaining that now, the organisers may open their Netrikkan (third eye), as we’re running out of time. So, let me conclude by requesting you to use the NATYA formula for success in your pursuit of Dance. May Nataraja’s Grace be with you for a purposeful Life of dance overflowing with Joy.

The following is an extension to the speech (not shared at the event due to paucity of time), connecting the dots between NATYA & Tandava.

SP29Nada = Srishti (creation or Shiva as the source of creation) – Life of creation (humans inclusive) in alignment with the creator.
Agnostic = Sthiti (existence or Shiva as the preserver of creation) – Accepting Life the way it is, without any personal bias.
Transendence = Samhara (transformation or Shiva as the transformer of creation) – Elevating oneself (& others in one’s presence) from the mundane routine to an eternal state of bliss
Yearning = Tirobhava (maya or Shiva as the master who plays with the ignorance of his creation) – Having immense interest and willing to expend any amount of effort to know the Truth or purpose of Life.
Absolute = Anugraha (enlightenment or Shiva as the Guru who benevolently enables one to achieve and remain in the state of eternal bliss) – Having absolute clarity of intent/purpose, total focus and burning intensity to achive self-realization.

SP34As there is Nada Yoga (yoga of sound), there is also Natya Yoga (yoga of dance or movement). Dance, when performed as an offering to the ultimate (Shiva as Nataraja) and not as a mere performance, has the potential to let the performer transcend to the state of bliss. Just the way being in the mere presence of a realized being (like Sadhguru) can elevate a seeker to a different state of Life experience (beyond the known physical, limited to the five senses), being present during the perormance of a dancer whose dance is an offering to the Lord of Dance can and will let the participants transcend to a different level of experience – akin to being present during Nataraja’s Tandava itself.

NATYA(Oct-15)May Adiyogi’s grace be with you to immerse yourself in and experience the joyful dance of Life!

@PrakashSwamy

Be Joyful & Spread the Cheer 🙂

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