Tag Archives: Bakthi

Dhinam Oru Padhigam – The Big Ws!

18 Mar

Dhinam Oru Padhigam ~ the Big Ws!

Both for regular readers and occasionally curious (+ new) browsers, Dhinam Oru Padhigam (தினம் ஒரு பதிகம்) hymns remain an enchanting enigma. That includes the SwamyPals (there’s a WhatsApp group for this tribe who have either studied, worked, volunteered or interacted with Swamy at some point in this lifetime and got acquainted to this intriguing being and for whatever baffling reason want to remain connected with him – the group is administered by Swamy himself and new members are included from time to time) & relatives who have known Swamy long enough to know his dabbling with poetry (one of his many varied pursuits, none of which are pursued for economical purpose) in both Thamizh (தமிழ்) & English.

First of all, Swamy doesn’t sit down in a particular place, at a particular time of the day, to write any of these hymns. ✍️ He isn’t a professional Writer (or published Author, for that matter, at least not yet, except for twice, in the ’90s), though he has been writing – poetry, stories, blogs, quotes, reviews, et al – for a long time (from the ’80s).

The Dhinam Oru Padhigam hymns always simply flow. Anytime of the day (he has woken up from sleep 😴 late at night to write down a hymn). Anywhere (temples, ashram, his den / cave, train…). So, all Swamy does is to write them down, as and when they flow. He’s merely an instrument that’s useful for some definitive purpose.

At times, the flow is such a torrent that he had to recall parts of the hymn (or the whole hymn, in case more than one flow at the same time – which happened a few days ago at Thiru UttharakOsamangai திருஉத்தரகோசமங்கை, while having the darshan of AbhishEkam for the Dancing Lord) later.

Oh btw, they’re actually hymns with a tune (most are) and Swamy actually sings them while writing them down (he can instantly recall the tune as well), though Swamy has absolutely no knowledge of the nuances of music, in terms of RAgA or ThALA!

In a way, these enchanting hymns in classical Thamizh are written by an illiterate (who isn’t a qualified Poet) and sung by a musically challenged person (who isn’t a trained Musician). Howzatt for the boundless Grace of the most benevolent creator!😂

So, it’s natural for everyone – Seeker or not – to have the Big Ws (What, Why, When, Where, Which, WTF,  etc) fluttering in their minds, while enjoying these hymns, with the help of the explanation in English, of course – there aren’t many who comprehend these classical Thamizh (தொல் தமிழ் – well, almost) hymns by simply reading them. In fact, Mrs Swamy got so intrigued by this incomprehensible phenomenon (in the earlier days, Swamy used to wake her up from her deep slumber to share the new hymn that has just flowed – her reaction is left to your imagination 😒), that she started dragging Swamy to one Jeeva SamAdhi (of Siddhars) after another, seeking answers for the Big ?s! 👣

Padhiga Padhigam (a hymn about the hymns)

Essentially a conversation between Swamy’s mind and Swamy (whether the individual or the universal self is itself a big W, which we arent trying to unravel now), where the mind takes different forms – unreal / MAyA, of course – such as male, female, bird, mirror, wave, poet, garden and net and praise the hymns as one thing or another (trying the trick of praise that had even the mighty ones falling for it unfailingly, for eons), which Swamy steadfastly refutes and clarifies as an outcome of the Grace of Lord ShivA, Mother Goddess DEvi, their illustrious YOgi son Murugan, etc (signifying the 8 broad categories of hymns).

ENmaNi MAlai (8 garlands of gems / hymns)

There were obviously many questions even for Swamily, including but not limited to, Why is Swamy the chosen one (to write hymns, that’s all)?; How long will this go on?, etc. Swamy Sr even tried doing some genetic research to dig out an ancestral connection (no, there arent any – at least none poetically inclined, so far).

Part of the answer came one fine day (aren’t they all – until we make them not so, with our screwed up intellect!), around noon, before brunch (both Mr & Mrs Swamy eat only twice a day, that too PrANic food, as much as practically feasible), when Swamy was in the midst of one of his daily meditations. 8 titles flashed past swiftly and he knew instinctively that they’re nothing but the logical grouping of the hymns that flow through him. Here they are… 👇


Shiva MaNimAlai (சிவ மணிமாலை) 

~ Garland of gems / hymns on Lord ShivA. This could potentially be more than one book, going by the rate at which the Dancing Lord is showering his Grace through hymn after enchanting hymn. Its quite normal for Joy drops to flow, either while writing or singing Shiva MaNimAlai (சிவ மணிமாலை) hymns (பதிகங்கள்), which gives one the taste of – in terms of direct experience – the state of devotion that Saints like NhAyanmArs (நாயன்மார்கள்), ThAyumAnavar (தாயுமானவர்), Kumaragurubarar (குமரகுருபரர்), Adi ShankarA (ஆதி சங்கரர்) and ArutprakAsa VaLLalAr (அருட்பிரகாச வள்ளலார்) must have experienced.😇


Shakthi MaNimAlai (சக்தி மணிமாலை) 

~ Garland of gems / hymns on Mother Goddess DEvi. She took her own sweet time to let her Grace flow through the hymns, but whenever she chooses to flow, its always a torrential downpour that will immerse and envelop one in her unconditionally Universal Motherly Love thats fiercely compassionate – the same torrent that must’ve drenched AbirAmi Bhattar (அபிராமி பட்டர்), Adi ShankarA (ஆதி சங்கரர்), KALidAsA (காளிதாசர்) and many such DEvi upAsakAs (தேவி உபாசகர்கள்). 😂

Guha MaNimAlai (குஹ மணிமாலை) 

~ Garland of gems / hymns on the Lord & Devi’s illustrious YOgi (+ warrior, created for the sole purpose of annihilation of evil) son Lord Murugan (Karthikeyan, Kumaran, Skandan…), who is also very special for Thamizh people worldwide (தமிழ்க் கடவுள்) and also happens to be Swamily’s family deity (ஸ்வாமி குடும்பத்தாரின் குலதெய்வம்). Those who are familiar with ancient Thamizh hymns (like Mrs Swamys maternal aunt) say, these hymns resemble the magnificent (& still very popular) ones sung by the Saint Poet AruNagirinhAdhar (அருணகிரிநாதர்). Swamy eventually realised this connect (which was clearly indicated during the advanced YOgA program called SamyamA, which Swamy did in his Master Sadhgurus presence in 2013) and prostrated at the incomparable poets Jeeva SamAdhi (ஜீவ சமாதி) at ThiruvaNNAmalai (திருவண்ணாமலை), during the Pancha BhUtha Sthala YAtrA (பஞ்சபூத ஸ்தல யாத்திரை), requesting him to guide Swamy as a MAnaseeka Guru (மானசீக குருநாதர்).

Iha MaNimAlai (இக அல்லது அக மணிமாலை

~ Garland of gems / hymns on the vast (and deep) Internal Space (within every being), where the Lord resides, active but dormant, until the seeking for Truth starts. As Swamy’s Master Sadhguru says “The only way out is In!” (வெளியேற ஒரே வழி உள்ளேதான் இருக்கிறது). 


Para MaNimAlai (பர அல்லது புற மணிமாலை) 

~ Garland of gems / hymns on the perceived External Space (by every being), which isnt real, until one realises the trap in which one is entangled (for many lifetimes) and the thirst to know the way out becomes so unbearable (like a painful scream within), when a Guru happens (to guide the Seeker along the path to liberation). That’s how Sadhguru happened for Swamy (who he didn’t even know) and turned his Life outside-in! 🙃😌

Thava MaNimAlai (தவ மணிமாலை) 

~ Garland of gems / hymns on the Spiritual process / pursuit, in the form of SAdhanA, on any (or many or all) of the four paths, viz KriyA, KarmA, Bakthi & GnAnA, (க்ரியா யோகா, கர்ம யோகா, பக்தி யோகா, ஞான யோகா) and the experiences related to such SAdhanA (ஆன்மீக சாதனை அல்லது பயிற்சி). Since the proportion or mix of these four well-treaded paths varies from seeker to seeker, the need for a Guru has always been emphasised as essential in this liberation focused culture, in order to progress towards mukthi (முக்தி அல்லது வீடுபேறு). 

Pugazh MaNimAlai (புகழ் மணிமாலை) 

~ Garland of gems / hymns, in praise of the innumerable Saints, Masters, Devotees and Seekers, who have walked the spiritual path before us, and chose to share their (at least quite a few of them) experiences and methods with the ones who may eventually walk along the same path leading to the Truth. This liberation focused (not God focused, as widely misunderstood, because of the innumerable number of Gods & Goddesses we worship) culture always had many eminent spiritual beings (ஆன்மீக சாதகர்கள்) and Masters (குருமார்கள்), who not only attained self-realization (தன்னை அறிதல்), but were always willing to guide others along the path to liberation. 🙏

GnAna MaNimAlai (ஞான மணிமாலை) 

~ Garland of gems / hymns on the experience of self-realisation and ultimate liberation (mukthi). As of now, Swamy isnt qualified to write these (as he isn’t a realised being, yet). But as and when they’re written down, they will certainly resonate with (& possibly resemble) the enchanting hymns written by many realised beings (ஞானோதயம் அடைந்தோர்), who had experienced the direct perception of reality / ultimate Truth (மெய்ஞானம்), before him. 

Of course, being a gray haired Millennial, Swamy uses digital devices (smartphone & tablet – both Android) & tools (Google Docs, Evernote, 2 different Photo Editor apps) to write down and publish these hymns, on social media, so that fellow seekers (and followers who aren’t yet seekers) too can get drenched in the boundless Grace of the creator.

All the Dhinam Oru Padhigam (தினம் ஒரு பதிகம்) hymns are freely available for anyone who seeks (at least some answers about this seemingly pointless existence) and will continue to remain free on social media (FacebookGoogle+TwitterWhatsApp, Pinterest, Swamyem / DhinamOruPadhigam blog). 

There are plans for a dedicated blog / website (http://www.dhinamorupadhigam.net or .org or https://DhinamOruPadhigam.wordpress.com) that’ll have the hymns (logically grouped in the Eight ManimAlai categories), with explanations in English & Thamizh (requested by many, who are conversant with the language but unable to comprehend the nuances in the hymns fully), and in audio form as well (in Swamy’s voice). An YouTube channel too is a possibility, in the future.

With Grace, these collections of Dhinam Oru Padhigam hymns might even be in the hands of Seekers like you, in the form of published books, someday – hopefully sooner than later! Hopefully you won’t mind paying for them, as and when they’re published – in both analog & digital formats 😜 And share them with your near & dear, as a gift for starting their own seeking.👍

May Grace be with you 🙌 for a purposeful Life 🌻 overflowing with Joy 😌

Be Joyful 😌 & Spread the Cheer 🌻


ShambhO 🙏

~Swamy

@PrakashSwamy

Im-mortal!

18 Sep

Im-mortal ~ a tribute to a true Legend & pondering about how mortal even such legends are – especially in the fickle human memory! 

Yesterday was the birth centenary (not your hilarious annual celebration of the day you stepped out to survive this silly world) of a once-in-a-lifetime… Nah… Once-in-a-millennium… Uh, huh… Once-in-a-creation kind of artisan, whose name is synonymous with her craft. Yet, as far as Swamy knows, none of the prime time media – including the most democratic of ’em all, the Social Media – did much to commemorate the momentous occasion!

Graphic: Awards, accolades & global recognition for the legendary MuSician (source: msstribute.org)

Before we get to the name, here are a few (there are very few in the entire history of human existence, btw) parallels, to give you a perspective of what we’re conversing about…

Football (no, we won’t call it soccer, like the unsure citizens of the global big brother nation) – Pele’

ScienceEinstein (no silly comparisons with Edison et al here, he remains incomparable)

WritingTwain (very debatable, but let’s just go with the longevity here)

ArtMichelangelo (we can add Craft too here as he dabbled in far too many things, so well)

PoetryBhArathi (as far as Swamy is concerned, there has been no one as versatile & skilled as the MahAkavi

ComposingBeethoven (yep, there are far too many like Back et al, but no one will have any problem with nodding their head for the big B)

PhilosophySages who wrote the Upanishads (if you haven’t read them, then you’ve no idea about the purpose of your human birth)

ActingChaplin (you’ve no idea – just shut up & go watch his silent classics)

StrategyChAnakyA (start reading his ArthasAstra, before buying yet another strategy tome) 

AutomobileFord (“you can have the model-T in any colour as long as it’s black” – ‘nuf said)

DefianceGandhi (just imagine the ‘half-naked fakir’ standing up against the once-mighty empire where the sun never sets – according to them, of course)

Leadership – Captain Cool aka MS Dhoni (just Google him & you’ll know why)

Guess you have a fair – even if only faint – idea of where we’re getting to by now.

Graphic: Life time line of the legendary vocal artist who simply has no equal (source: msstribute.org)

The legend – truly, in every sense of the word – we’re conversing about is MS Subbulakshmi, fondly known as MS Amma. She’s to Classical (& Devotional) Music what Pele’ is to Football (& all the aforementioned greats were to their respective art / craft / chosen space). 

She was popular at the age of 10. The popularity graph kept going up, up & away, defying celebrity gravity, all the way to her being awarded the Bharat Ratna – the highest civilian honour in India. She sang all over the globe, including the UN. Heck, even Gods wake up daily listening to her melodious rendering of their praise (e.g. Venkatesa Suprabhatam rendered by her is officially used in Lord Venkatachalapathy aka Balaji temple at Thirumala to wake the Lord up, daily – incidentally, millions of households too wake up with her signing the same – even today).

Her list of honours knew no limit, yet she remained humble all her life.

Her remuneration & gifts were sizeable, yet she donated most of it for charity (still goes on).

Her popularity was more than heads of states and celluloid celebrities, yet she remained intensely private.

She could’ve easily been a Diva, yet chose to remain deeply rooted in devotion – to her craft & the creator.

She went all over the world with an entourage, and she always travelled, stayed and ate with them, without any airs. 

She was the symbol of devotion, piety, simplicity, eminence, elegance, grace, gratitude, benevolence, humility, loyalty and a lot more things that we hardly see in a celebrity today.

Yet, this once-great nation seem to have collectively ignored this legendary performing artist’s existence, on the momentous occasion of her birth centenary. Other than a few concerts by true devotees (who saw her as divine incarnate) and probably a commemoration lecture or two, the voice that still wakes up millions – including the Gods themselves – has already faded away!

This isn’t the first time this has happened. Human memory (& loyalty) is a fickle thing. It forgets greatness easily – especially when the great ones aren’t around anymore. Humans are silly beings stuck in their mUlAdhAra chakra, who will remember only things that they can feel and experience with their sense organs, collectively. 

Someone like MS – arguably the greatest classical + devotional artist of all time – is still remembered when they hear her Suprabhatam or Sahasranamam in the morning. But that’s only one of the 5 senses – auditory. As soon as the song is done, she fades away from their pointlessly busy survival mind. Until the next morning.

Sujatha – arguably the most diverse & exceptionally talented (& needless to say, hugely successful) is remembered during the annual book fair. Or while reading one of his many amazing books – fiction, non-fiction, poetry, classics, science, God… You name it. And then forgotten entirely, until the next book.

MahAkavi BhArathi – arguably the greatest poet that ever walked the earth – had just a handful of people attending his funeral. His poems will make even a Millennial kid go wow, even today. 

KBalachandar – arguably the most daring director ever in the history of Tamil cinema (& TV), who also happened to mentor two of his greates superstars Kamal Hassan & Rajinikanth – is hardly remembered by the fans now.

Tagore, Palke, Premchand, Rajaji, Balasaraswathi, Mali, Ravi varma, Ray, RK brothers, Patel, GD Naidu, Sarabhai, Ramanujan, Dhyan Chand, … 

All of them, and a lot many more global celebrities – sportspersons, musicians, actors, writers, leaders, business icons, astronauts, artists, architects… – who once were celebrated as immortals, are all probably lamenting at how mortal they indeed are, muttering with a sigh, “I’m-mortal”! 

MS probably isn’t regretting it one bit because she treated her celebrity status – almost unheard of in her time, making her even more mystical – adulation, awards, accolades like one of those enchanting sarees she used to wear for her concerts. Useful & valuable at that point in time, but of no importance whatsoever once the concerns was over. 

In a way,

MS was a Yogini. Nada Yogini. Music was her sadhana


Singing with utmost devotion, from the core of her being, was her daily penance – to attain the ultimate liberation. She seems to have been created, nurtured, celebrated and protected by the creator exclusively to sing his praise (that her husband + mentor was named Sadasivam isn’t a coincidence). And boy did she do that.. And how!

MS, the mortal being, became the MuSic, the immortal being! 

You may cherish Swamy’s hymn tribute to the true legend of Classical & Devotional Music MS Subbulakshmi here ~ Isaiyarasi (இசையரசி – Queen of Music) 

You may know more about the legendary perfect performing artist here ~ msstribute.org

Who cares if the media didn’t care to acknowledge the immortality of her MuSic? They must be too busy chasing the next Im-mortal story. Until the next one. BAUHumbug!

Slide an audio CD of MS into your hi-fi or just search for one of her many immortal songs like Kurai Ondrum Illai on your smartphone or tablet. Close your eyes & open your ears. Listen deeply as her immortal voice caresses the deeply hidden devotion within you. Let the joy drops, i.e. tears flow. Repeat. Until you comprehend why (& how) MS is synonymous with MuSic!  

Be Joyful & Spread the Cheer 🙂

~Swamy

@PrakashSwamy   

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