Tag Archives: Adiyogi

Wellknown… Unknowns..! ~ AruNAchala Tales #0

25 Jun

Wellknown… Unknowns..!

AruNAchala Tales #0

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ThiruvaNNAmalai aka AruNAchala needs no introduction. Known as the “நினைத்தாலே முக்தி தரும்” sthalam (holy place that offers mukti to the one who simply thinks about it), it’s an ancient place of pilgrimage whose antiquity dates back to the age before that of Gods (33 million of ’em, no less) and demons (aka asurAs), which remains well known through history due to the innumerable saints, yogis & siddhars who lived and attained mukti there and the eponymous Girivalam (circumambulation of the holy hill, barefooted, covering approximately 14 kms, in one go) that brings lakhs of devotees from all over to this quaint little town, every PourNami (full moon).

.

Ask anyone who had either been to AruNAchala or knows someone who had, about AruNAchala, and they will unfailingly tell you an enchanting tale or two about the Adiyogi & Adi Guru Lord ShivA himself who is worshipped there as AruNAchalEswarar, BhagavAn RamaNa Maharishi (the great Realised Master of the GnAna yoga path needs no introduction either), Saint-Poet ArunagirinAdhar (the famed Saint-Poet who is associated with the illustrious warrior son of Lord ShivA, who is celebrated in this part of the world as தமிழ்க் கடவுள், i.e. the God of Tamil people), siddhars like IdaikkAdar and SEshAdri Swamigal, devotees like AmmaNi AmmAL, Realised Beings & Masters like Yogi Ramsurathkumar aka விசிறி சாமியார் (the saint with the handheld fan), about the holy hill itself and seemingly miraculous experiences that keep happening to those who undertake the Girivalam (circumambulation of the holy hill), diligently with piety. But there are amazing facts about this ancient holy space that even a dyed-in-the-wool Shiva bakthA may not know. So, here goes the “AruNAchala Tales”…
~~~~~~~~~~

ArunAchala Tales #0

Every enchanting tale has a beginning. In the age before Gods & demons, possibly during the early stages of creation itself, VishNu and BrahmA wondered who is the greater among them, since they seem to be the only two beings around in the vast emptiness. While they were debating to establish their superiority, a blindingly brilliant column (pillar / tower) of fiery light appeared, whose beginning or end couldn’t be seen. Dumbfounded by the magnificence of that light, the debating duo set out to know more about it. While BrahmA took the form of a swan and flew upwards towards the top of the column of fiery light, VishNu took the form of a wild boar and started digging into the earth towards the bottom of the same.

.

They went on seemingly forever and simply couldn’t get to either the top or bottom. While VishNu gave up his quest and humbly bowed before the light, BrahmA conjured up a yarn of how he had actually seen the top, while all he did was to see a flower falling from the top somewhere along and persuaded (coerced!) it to vouch for the completion of his quest.

.

There was a mighty roar and the SarvEswara revealed himself to be the column of endless fiery light. He praised VishNu for his honesty and humility, reminded him about his purpose, i.e. to nurture + preserve all creation and offered him the right to worship that’s almost like his own. This is why wherever there’s a Shiva temple, a VishNu temple could also be found somewhere nearby, even in nondescript villages and tiny towns. Lord MahAVishNu not only remains a popular God through the yugAs, but eventually also became related to the MahAdEva (God of Gods) by offering his sister Devi Shakthi in marriage to Lord ShivA.
.
Then the mighty RudrA turned his fiery gaze towards the shivering BrahmA and simply plucked away one of his five heads and thrown it away, which was like a rap in the knuckles for his blatant lie. He also cursed BrahmA that he won’t be worshipped by humans henceforth. This is why there’s hardly any temple for BrahmA, the God of creation.

.

Despite being very knowledgeable, BrahmA obviously wasn’t very smart to learn from this event, which cost him a head and the right to worship, no less. At a later point in time, he got another rap in the knuckles from the illustrious Son of ShivA, aka KArthikEya alias ShANmukhA, the greatest warrior in the history of Godkind who was anointed the commander-in-chief of the Deva armed forces, who incarcerated BrahmA and stripped him of his power of creation, for not knowing the meaning of AUM, the praNava mantrA, which is the primordial sound of creation itself. Lord Subrahmanya, incidentally, is the manifest form of PraNavA itself. But that’s another enchanting tale for a different time.

.

Finally, the TriambakA turned to the pitiful flower that was forced to vouch for BrahmA’s lie and banished it from his worship. This is why, thAzhampoo (தாழம்பூ / ketaki flower) isn’t used for ShivA worship, till date.

.

Moral of the story…

  • Be humble and truthful, in order to be receptive to Grace
  • Lying is easy but the consequences will be unimaginably hard
  • Intellectual (acquired / accumulated) knowledge is grossly overrated. Acceptance of “I don’t know” is the beginning of really knowing the Truth
  • And last but certainly not the least ~ don’t even think about messing with the all-knowing, omnipresent and omnipotent almighty ShivA, ever!
.

The symbolic representation of this ancient event can be found in pretty much all ShivA temples, right behind the garbhagrihA, in the form of LingOdhbhavar (லிங்கோத்பவர்). In a few temples – including AruNAchala – a form of Lord VishNu (VenugOpAla Swamy in ThiruvaNNAmalai) can be found facing LingOdhbhavar.

.

Now to the AruNAchala connect of this ancient tale…
  • The place where the Lord appeared as the seemingly endless column of fiery light is none other than AruNAchala, aka the holy hill at ThiruvaNNAmalai, making it possibly one of, if not the earliest known geographical location of Lord ShivA’s physical presence, on this tiny planet.
  • The popular KArthigai Deepam festival, when a huge light is lit atop the holy hill, is symbolic of this ancient tale, though the festival itself is associated with Lord KArthikEya, the Son of ShivA, who is considered to be an aspect (அம்சம்) of ShivA himself.
  • As a proof of the fiery nature of the magnificent light form of the Lord, intense heat emanates from the GarbhaGrihA (sanctum sanctorum) of the temple, where the மூலவர் (primary deity) of Lord ANNAmalayAr aka AruNAchalEswarar is worshipped, even today. One can experience this directly, while worshipping the Lord in close quarters (guided by a GurukkaL certainly helps and many are willing to offer this service, informally, for an fee, of course). The heat is always on and anyone in the fiery presence of the Lord will start to profusely sweat, instantaneously. Is it any wonder that among the Pancha BhUtha kshEtras of Lord ShivA, dedicated to the five primary elements of creation, AruNAchala is the kshEtra for Agni / Fire (பஞ்சபூத ஸ்தலங்களில் அருணாசலா எனு‌ம் திருவண்ணாமலை அக்னி ஸ்தலமாகும்)
  • Since the Dancing Lord appeared as the tower of light sans beginning or end (அடி முடி காணா ஜோதி ஸ்வரூபம்) on the hill of AruNAchala, the hill itself is worshipped as ShivA here. That’s why the pradakshiNam (பிரதக்ஷிணம் / circumambulation) is done around the hill itself, in the form of Girivalam (கிரிவலம்). .
.
With the Lord’s boundless Grace, AruNAchala Tales will continue…

.

~Swamy | @PrakashSwamy

Wellknown… Unknowns..! ~ AruNAchala Tales #0

25 Jun

Wellknown… Unknowns..!

AruNAchala Tales #0

.

ThiruvaNNAmalai aka AruNAchala needs no introduction. Known as the “நினைத்தாலே முக்தி தரும்” sthalam (holy place that offers mukti to the one who simply thinks about it), it’s an ancient place of pilgrimage whose antiquity dates back to the age before that of Gods (33 million of ’em, no less) and demons (aka asurAs), which remains well known through history due to the innumerable saints, yogis & siddhars who lived and attained mukti there and the eponymous Girivalam (circumambulation of the holy hill, barefooted, covering approximately 14 kms, in one go) that brings lakhs of devotees from all over to this quaint little town, every PourNami (full moon).

.

Ask anyone who had either been to AruNAchala or knows someone who had, about AruNAchala, and they will unfailingly tell you an enchanting tale or two about the Adiyogi & Adi Guru Lord ShivA himself who is worshipped there as AruNAchalEswarar, BhagavAn RamaNa Maharishi (the great Realised Master of the GnAna yoga path needs no introduction either), Saint-Poet ArunagirinAdhar (the famed Saint-Poet who is associated with the illustrious warrior son of Lord ShivA, who is celebrated in this part of the world as தமிழ்க் கடவுள், i.e. the God of Tamil people), siddhars like IdaikkAdar and SEshAdri Swamigal, devotees like AmmaNi AmmAL, Realised Beings & Masters like Yogi Ramsurathkumar aka விசிறி சாமியார் (the saint with the handheld fan), about the holy hill itself and seemingly miraculous experiences that keep happening to those who undertake the Girivalam (circumambulation of the holy hill), diligently with piety. But there are amazing facts about this ancient holy space that even a dyed-in-the-wool Shiva bakthA may not know. So, here goes the “AruNAchala Tales”…
~~~~~~~~~~

ArunAchala Tales #0

Every enchanting tale has a beginning. In the age before Gods & demons, possibly during the early stages of creation itself, VishNu and BrahmA wondered who is the greater among them, since they seem to be the only two beings around in the vast emptiness. While they were debating to establish their superiority, a blindingly brilliant column (pillar / tower) of fiery light appeared, whose beginning or end couldn’t be seen. Dumbfounded by the magnificence of that light, the debating duo set out to know more about it. While BrahmA took the form of a swan and flew upwards towards the top of the column of fiery light, VishNu took the form of a wild boar and started digging into the earth towards the bottom of the same.

.

They went on seemingly forever and simply couldn’t get to either the top or bottom. While VishNu gave up his quest and humbly bowed before the light, BrahmA conjured up a yarn of how he had actually seen the top, while all he did was to see a flower falling from the top somewhere along and persuaded (coerced!) it to vouch for the completion of his quest.

.

There was a mighty roar and the SarvEswara revealed himself to be the column of endless fiery light. He praised VishNu for his honesty and humility, reminded him about his purpose, i.e. to nurture + preserve all creation and offered him the right to worship that’s almost like his own. This is why wherever there’s a Shiva temple, a VishNu temple could also be found somewhere nearby, even in nondescript villages and tiny towns. Lord MahAVishNu not only remains a popular God through the yugAs, but eventually also became related to the MahAdEva (God of Gods) by offering his sister Devi Shakthi in marriage to Lord ShivA.
.
Then the mighty RudrA turned his fiery gaze towards the shivering BrahmA and simply plucked away one of his five heads and thrown it away, which was like a rap in the knuckles for his blatant lie. He also cursed BrahmA that he won’t be worshipped by humans henceforth. This is why there’s hardly any temple for BrahmA, the God of creation.

.

Despite being very knowledgeable, BrahmA obviously wasn’t very smart to learn from this event, which cost him a head and the right to worship, no less. At a later point in time, he got another rap in the knuckles from the illustrious Son of ShivA, aka KArthikEya alias ShANmukhA, the greatest warrior in the history of Godkind who was anointed the commander-in-chief of the Deva armed forces, who incarcerated BrahmA and stripped him of his power of creation, for not knowing the meaning of AUM, the praNava mantrA, which is the primordial sound of creation itself. Lord Subrahmanya, incidentally, is the manifest form of PraNavA itself. But that’s another enchanting tale for a different time.

.

Finally, the TriambakA turned to the pitiful flower that was forced to vouch for BrahmA’s lie and banished it from his worship. This is why, thAzhampoo (தாழம்பூ / ketaki flower) isn’t used for ShivA worship, till date.

.

Moral of the story…

  • Be humble and truthful, in order to be receptive to Grace
  • Lying is easy but the consequences will be unimaginably hard
  • Intellectual (acquired / accumulated) knowledge is grossly overrated. Acceptance of “I don’t know” is the beginning of really knowing the Truth
  • And last but certainly not the least ~ don’t even think about messing with the all-knowing, omnipresent and omnipotent almighty ShivA, ever!
.

The symbolic representation of this ancient event can be found in pretty much all ShivA temples, right behind the garbhagrihA, in the form of LingOdhbhavar (லிங்கோத்பவர்). In a few temples – including AruNAchala – a form of Lord VishNu (VenugOpAla Swamy in ThiruvaNNAmalai) can be found facing LingOdhbhavar.

.

Now to the AruNAchala connect of this ancient tale…
  • The place where the Lord appeared as the seemingly endless column of fiery light is none other than AruNAchala, aka the holy hill at ThiruvaNNAmalai, making it possibly one of, if not the earliest known geographical location of Lord ShivA’s physical presence, on this tiny planet.
  • The popular KArthigai Deepam festival, when a huge light is lit atop the holy hill, is symbolic of this ancient tale, though the festival itself is associated with Lord KArthikEya, the Son of ShivA, who is considered to be an aspect (அம்சம்) of ShivA himself.
  • As a proof of the fiery nature of the magnificent light form of the Lord, intense heat emanates from the GarbhaGrihA (sanctum sanctorum) of the temple, where the மூலவர் (primary deity) of Lord ANNAmalayAr aka AruNAchalEswarar is worshipped, even today. One can experience this directly, while worshipping the Lord in close quarters (guided by a GurukkaL certainly helps and many are willing to offer this service, informally, for an fee, of course). The heat is always on and anyone in the fiery presence of the Lord will start to profusely sweat, instantaneously. Is it any wonder that among the Pancha BhUtha kshEtras of Lord ShivA, dedicated to the five primary elements of creation, AruNAchala is the kshEtra for Agni / Fire (பஞ்சபூத ஸ்தலங்களில் அருணாசலா எனு‌ம் திருவண்ணாமலை அக்னி ஸ்தலமாகும்)
  • Since the Dancing Lord appeared as the tower of light sans beginning or end (அடி முடி காணா ஜோதி ஸ்வரூபம்) on the hill of AruNAchala, the hill itself is worshipped as ShivA here. That’s why the pradakshiNam (பிரதக்ஷிணம் / circumambulation) is done around the hill itself, in the form of Girivalam (கிரிவலம்). .
.
With the Lord’s boundless Grace, AruNAchala Tales will continue…

.

~Swamy | @PrakashSwamy

Life Math!

23 Mar

Math is fun only for a select few, historically. Even for the great BhArathi, the MahAkavi, it was “கணக்கு, பிணக்கு, ஆமணக்கு,” something that was not just a struggle but even bitter. So, it isn’t that hard to imagine how Math is for lesser mortals. If it’s that complex a subject in the academic syllabus, then how complicated it should be in Life? Is it any wonder the species that never tires of boasting about it’s extra 6th sense, keeps on failing to score even the bare minimum pass score in “Life Math!”

1+1 is never equal to 1.
That’s why lovers who marry, even after several years of being in love, are shocked to find they are still 2 distinct individuals and can’t merge into 1 being, as they’ve imagined. Nor can business or any kind of partners. When neither is willing to let go of one’s distinct sense of identity, the individual will remain as 1 and 1+1 will always be 2.

1/2 + 1/2 = 1

Lord ShivA, aka the One (he’s Mahadeva, i.e. God of Gods, after all) knew this (obviously) and was prudent to merge his spouse (kind of hard to say who is the better half among the PurushA & Prakriti) into himself and become ArdhanhAreeswarA (part ShivA & part Shakthi), when it comes to walking the talk, i.e. offering an experiential learning opportunity on how the Life Math is done (he happens to be DakshiNAmUrthy, the Adi Guru, as well), but the Homo Sapiens aren’t capable learners, apparently.

But even if we take a few lifetimes to elevate ourselves to contemplate & comprehend the Adiyogi’s teachings, t

here are a couple of ways the life math can be made to work

, in this lifetime itself.

1×1 = 1.

But for this math to work in life, both the 1s have to collaborate & work together to create the force multiplier effect. Unfortunately, the individual 1s mostly stop with the force and keep multiplying it.

This works well, at least for a while, in business partnerships, since partners usually bring different skill sets and capabilities to the table. Remember the 2 Steves who created the fruit company (ahem, that would be Apple).

1/1 is also =1.

But for this equation to happen in life, either of the two 1s should be willing to go down, i.e. let go of their individual identity or ego. Every husband & wife knows – by experience, obviously – that’s just a fantasy or fantastic dream.

This is how a Guru-sishyA relationship works though. Neither does a real Guru (Realised Master) show of his Allness, ever, disseminating all that s/he knows to any sincere seeker, nor does the disciple mind getting chiselled pertinently, until s/he loses any sense of individual identity left.

1+0 is always equal to one.
The 1 is the individual, with many an identity, including but not limited to, name, education, status, title, religion, region, etc. S/he imagines being unique & distinct. That’s the mind trap, but it’s a very attractive & deceptive trap, in which the individual is willing to remain, for lifetimes.

Tonnes of Karma keeps piling up and the repetitive birth-death cycle goes on and on…

The 0 is the divine that’s within the individual, not a digit without any value, but one that’s absolute. That’s exactly why the 0 added after any numeral increases its value manifold.

That 0 waits patiently for the 1 to first realise it & then merge with it or dissolve into it. When that happens, when the realisation dawns upon the individual self, when the creation realises the magnificent presence of the creator glowing silently within the creation, every single being in existence – not just the individual, then the 1 becomes the 0. That’s also when, 1 and 0, which were 2 before, transform into 1, i.e. The One!

😇

AUM PUrNam-adah PUrNam-idam PUrNAt-PUrNam-udachyate
PUrNasya PUrNam-AdhAya PUrNam-Eva-avashissyate
AUM ShAntih ShAntih ShAntih

PUrNam-idam PUrNAt-PUrNam-udachyate
PUrNasya PUrNam-AdhAya PUrNam-Eva-avashissyate
AUM ShAntih ShAntih ShAntih

PUrNasya PUrNam-AdhAya PUrNam-Eva-avashissyate
AUM ShAntih ShAntih ShAntih

😇

AUM That (divine / creator / real Self) is complete / whole; This (individual / creation / non-real self) self is complete / whole; Everything (in existence) manifests from that which is complete / whole (all of creation are manifest forms of the unmanifest divine or NhirguNa Parabrahmam).
(even) When (this – individual) whole is taken from (that – divine) whole, that which remains is (still) whole (omnipresent divine that is infinite & all pervading in nature).
AUM peace.. peace.. peace..

Be Joyful 😌& Spread the Cheer 🌻

~Swamy | @PrakashSwamy

Dhinam Oru Padhigam – The Big Ws!

18 Mar

Dhinam Oru Padhigam ~ the Big Ws!

Both for regular readers and occasionally curious (+ new) browsers, Dhinam Oru Padhigam (தினம் ஒரு பதிகம்) hymns remain an enchanting enigma. That includes the SwamyPals (there’s a WhatsApp group for this tribe who have either studied, worked, volunteered or interacted with Swamy at some point in this lifetime and got acquainted to this intriguing being and for whatever baffling reason want to remain connected with him – the group is administered by Swamy himself and new members are included from time to time) & relatives who have known Swamy long enough to know his dabbling with poetry (one of his many varied pursuits, none of which are pursued for economical purpose) in both Thamizh (தமிழ்) & English.

First of all, Swamy doesn’t sit down in a particular place, at a particular time of the day, to write any of these hymns. ✍️ He isn’t a professional Writer (or published Author, for that matter, at least not yet, except for twice, in the ’90s), though he has been writing – poetry, stories, blogs, quotes, reviews, et al – for a long time (from the ’80s).

The Dhinam Oru Padhigam hymns always simply flow. Anytime of the day (he has woken up from sleep 😴 late at night to write down a hymn). Anywhere (temples, ashram, his den / cave, train…). So, all Swamy does is to write them down, as and when they flow. He’s merely an instrument that’s useful for some definitive purpose.

At times, the flow is such a torrent that he had to recall parts of the hymn (or the whole hymn, in case more than one flow at the same time – which happened a few days ago at Thiru UttharakOsamangai திருஉத்தரகோசமங்கை, while having the darshan of AbhishEkam for the Dancing Lord) later.

Oh btw, they’re actually hymns with a tune (most are) and Swamy actually sings them while writing them down (he can instantly recall the tune as well), though Swamy has absolutely no knowledge of the nuances of music, in terms of RAgA or ThALA!

In a way, these enchanting hymns in classical Thamizh are written by an illiterate (who isn’t a qualified Poet) and sung by a musically challenged person (who isn’t a trained Musician). Howzatt for the boundless Grace of the most benevolent creator!😂

So, it’s natural for everyone – Seeker or not – to have the Big Ws (What, Why, When, Where, Which, WTF,  etc) fluttering in their minds, while enjoying these hymns, with the help of the explanation in English, of course – there aren’t many who comprehend these classical Thamizh (தொல் தமிழ் – well, almost) hymns by simply reading them. In fact, Mrs Swamy got so intrigued by this incomprehensible phenomenon (in the earlier days, Swamy used to wake her up from her deep slumber to share the new hymn that has just flowed – her reaction is left to your imagination 😒), that she started dragging Swamy to one Jeeva SamAdhi (of Siddhars) after another, seeking answers for the Big ?s! 👣

Padhiga Padhigam (a hymn about the hymns)

Essentially a conversation between Swamy’s mind and Swamy (whether the individual or the universal self is itself a big W, which we arent trying to unravel now), where the mind takes different forms – unreal / MAyA, of course – such as male, female, bird, mirror, wave, poet, garden and net and praise the hymns as one thing or another (trying the trick of praise that had even the mighty ones falling for it unfailingly, for eons), which Swamy steadfastly refutes and clarifies as an outcome of the Grace of Lord ShivA, Mother Goddess DEvi, their illustrious YOgi son Murugan, etc (signifying the 8 broad categories of hymns).

ENmaNi MAlai (8 garlands of gems / hymns)

There were obviously many questions even for Swamily, including but not limited to, Why is Swamy the chosen one (to write hymns, that’s all)?; How long will this go on?, etc. Swamy Sr even tried doing some genetic research to dig out an ancestral connection (no, there arent any – at least none poetically inclined, so far).

Part of the answer came one fine day (aren’t they all – until we make them not so, with our screwed up intellect!), around noon, before brunch (both Mr & Mrs Swamy eat only twice a day, that too PrANic food, as much as practically feasible), when Swamy was in the midst of one of his daily meditations. 8 titles flashed past swiftly and he knew instinctively that they’re nothing but the logical grouping of the hymns that flow through him. Here they are… 👇


Shiva MaNimAlai (சிவ மணிமாலை) 

~ Garland of gems / hymns on Lord ShivA. This could potentially be more than one book, going by the rate at which the Dancing Lord is showering his Grace through hymn after enchanting hymn. Its quite normal for Joy drops to flow, either while writing or singing Shiva MaNimAlai (சிவ மணிமாலை) hymns (பதிகங்கள்), which gives one the taste of – in terms of direct experience – the state of devotion that Saints like NhAyanmArs (நாயன்மார்கள்), ThAyumAnavar (தாயுமானவர்), Kumaragurubarar (குமரகுருபரர்), Adi ShankarA (ஆதி சங்கரர்) and ArutprakAsa VaLLalAr (அருட்பிரகாச வள்ளலார்) must have experienced.😇


Shakthi MaNimAlai (சக்தி மணிமாலை) 

~ Garland of gems / hymns on Mother Goddess DEvi. She took her own sweet time to let her Grace flow through the hymns, but whenever she chooses to flow, its always a torrential downpour that will immerse and envelop one in her unconditionally Universal Motherly Love thats fiercely compassionate – the same torrent that must’ve drenched AbirAmi Bhattar (அபிராமி பட்டர்), Adi ShankarA (ஆதி சங்கரர்), KALidAsA (காளிதாசர்) and many such DEvi upAsakAs (தேவி உபாசகர்கள்). 😂

Guha MaNimAlai (குஹ மணிமாலை) 

~ Garland of gems / hymns on the Lord & Devi’s illustrious YOgi (+ warrior, created for the sole purpose of annihilation of evil) son Lord Murugan (Karthikeyan, Kumaran, Skandan…), who is also very special for Thamizh people worldwide (தமிழ்க் கடவுள்) and also happens to be Swamily’s family deity (ஸ்வாமி குடும்பத்தாரின் குலதெய்வம்). Those who are familiar with ancient Thamizh hymns (like Mrs Swamys maternal aunt) say, these hymns resemble the magnificent (& still very popular) ones sung by the Saint Poet AruNagirinhAdhar (அருணகிரிநாதர்). Swamy eventually realised this connect (which was clearly indicated during the advanced YOgA program called SamyamA, which Swamy did in his Master Sadhgurus presence in 2013) and prostrated at the incomparable poets Jeeva SamAdhi (ஜீவ சமாதி) at ThiruvaNNAmalai (திருவண்ணாமலை), during the Pancha BhUtha Sthala YAtrA (பஞ்சபூத ஸ்தல யாத்திரை), requesting him to guide Swamy as a MAnaseeka Guru (மானசீக குருநாதர்).

Iha MaNimAlai (இக அல்லது அக மணிமாலை

~ Garland of gems / hymns on the vast (and deep) Internal Space (within every being), where the Lord resides, active but dormant, until the seeking for Truth starts. As Swamy’s Master Sadhguru says “The only way out is In!” (வெளியேற ஒரே வழி உள்ளேதான் இருக்கிறது). 


Para MaNimAlai (பர அல்லது புற மணிமாலை) 

~ Garland of gems / hymns on the perceived External Space (by every being), which isnt real, until one realises the trap in which one is entangled (for many lifetimes) and the thirst to know the way out becomes so unbearable (like a painful scream within), when a Guru happens (to guide the Seeker along the path to liberation). That’s how Sadhguru happened for Swamy (who he didn’t even know) and turned his Life outside-in! 🙃😌

Thava MaNimAlai (தவ மணிமாலை) 

~ Garland of gems / hymns on the Spiritual process / pursuit, in the form of SAdhanA, on any (or many or all) of the four paths, viz KriyA, KarmA, Bakthi & GnAnA, (க்ரியா யோகா, கர்ம யோகா, பக்தி யோகா, ஞான யோகா) and the experiences related to such SAdhanA (ஆன்மீக சாதனை அல்லது பயிற்சி). Since the proportion or mix of these four well-treaded paths varies from seeker to seeker, the need for a Guru has always been emphasised as essential in this liberation focused culture, in order to progress towards mukthi (முக்தி அல்லது வீடுபேறு). 

Pugazh MaNimAlai (புகழ் மணிமாலை) 

~ Garland of gems / hymns, in praise of the innumerable Saints, Masters, Devotees and Seekers, who have walked the spiritual path before us, and chose to share their (at least quite a few of them) experiences and methods with the ones who may eventually walk along the same path leading to the Truth. This liberation focused (not God focused, as widely misunderstood, because of the innumerable number of Gods & Goddesses we worship) culture always had many eminent spiritual beings (ஆன்மீக சாதகர்கள்) and Masters (குருமார்கள்), who not only attained self-realization (தன்னை அறிதல்), but were always willing to guide others along the path to liberation. 🙏

GnAna MaNimAlai (ஞான மணிமாலை) 

~ Garland of gems / hymns on the experience of self-realisation and ultimate liberation (mukthi). As of now, Swamy isnt qualified to write these (as he isn’t a realised being, yet). But as and when they’re written down, they will certainly resonate with (& possibly resemble) the enchanting hymns written by many realised beings (ஞானோதயம் அடைந்தோர்), who had experienced the direct perception of reality / ultimate Truth (மெய்ஞானம்), before him. 

Of course, being a gray haired Millennial, Swamy uses digital devices (smartphone & tablet – both Android) & tools (Google Docs, Evernote, 2 different Photo Editor apps) to write down and publish these hymns, on social media, so that fellow seekers (and followers who aren’t yet seekers) too can get drenched in the boundless Grace of the creator.

All the Dhinam Oru Padhigam (தினம் ஒரு பதிகம்) hymns are freely available for anyone who seeks (at least some answers about this seemingly pointless existence) and will continue to remain free on social media (FacebookGoogle+TwitterWhatsApp, Pinterest, Swamyem / DhinamOruPadhigam blog). 

There are plans for a dedicated blog / website (http://www.dhinamorupadhigam.net or .org or https://DhinamOruPadhigam.wordpress.com) that’ll have the hymns (logically grouped in the Eight ManimAlai categories), with explanations in English & Thamizh (requested by many, who are conversant with the language but unable to comprehend the nuances in the hymns fully), and in audio form as well (in Swamy’s voice). An YouTube channel too is a possibility, in the future.

With Grace, these collections of Dhinam Oru Padhigam hymns might even be in the hands of Seekers like you, in the form of published books, someday – hopefully sooner than later! Hopefully you won’t mind paying for them, as and when they’re published – in both analog & digital formats 😜 And share them with your near & dear, as a gift for starting their own seeking.👍

May Grace be with you 🙌 for a purposeful Life 🌻 overflowing with Joy 😌

Be Joyful 😌 & Spread the Cheer 🌻


ShambhO 🙏

~Swamy

@PrakashSwamy

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